User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 23. LIVE INSTRUMENT REFERENCE 380
allows you to easily integrate external (hardware) synthesizers, ReWire devices and multi-
timbral plug-ins into your projects. It sends MIDI out and returns audio.
The two MIDI To choosers select the output to which the device will send MIDI data. The
top chooser selects either a physical MIDI port, a ReWire slave destination or a multitimbral
plug-in. If you select a MIDI port (for use with an external synthesizer), the second chooser's
options will be MIDI channel numbers. If you've chosen a ReWire slave such as Reason as
your routing target, the choices will be the specic devices available in the slave project:
ReWire Options Shown
in the Routing Choosers.
If another track in your set contains a multitimbral plug-in, you can select this track in the
top chooser. In this case, the second chooser allows you to select a specic MIDI channel
in the plug-in.
The Audio From chooser provides options for returning the audio from the hardware synth,
plug-in, or ReWire device. If you're routing to a hardware synth, use this chooser to select
the ports on your audio interface that are connected to the output of your synth. The
available choices you'll have will depend on the settings in the Audio Preferences.
If you're routing to a ReWire slave, the Audio From chooser will list all of the audio channels
available in the slave. Select the audio channel that corresponds to the instrument to which
you are sending MIDI. If you're routing to a multitimbral plug-in on another track in your
Live Set, the Audio From chooser will list the auxiliary outputs in the plug-in. Note that the
main outputs will be heard on the track that contains the instrument.
The Gain knob adjusts the audio level coming back from the sound source. This level should
be set carefully to avoid clipping.
Since external devices can introduce latency that Live cannot automatically detect, you can
manually compensate for any delays by adjusting the Latency slider. The button next to this










