User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 23. LIVE INSTRUMENT REFERENCE 381
slider allows you to set your latency compensation amount in either milliseconds or samples.
If your external device connects to Live via a digital connection, you will want to adjust your
latency settings in samples, which ensures that the number of samples you specify will be
retained even when changing the sample rate. If your external device connects to Live via
an analog connection, you will want to adjust your latency settings in milliseconds, which
ensures that the amount of time you specify will be retained when changing the sample
rate. Note that adjusting in samples gives you ner control, so even in cases when you're
working with analog devices, you may want to ne tune your latency in samples in order
to achieve the lowest possible latency. In this case, be sure to switch back to milliseconds
before changing your sample rate. Any latency introduced by devices within Live will
be compensated for automatically, so the latency slider will be disabled when using the
External Instrument Device to route internally. Latency adjustments when routing to ReWire
devices will probably not be necessary, as most ReWire-enabled programs also compensate
automatically. But if you feel that something is off in the timing of your set, try adjusting
this slider.
Note: If the Delay Compensation option is unchecked in the Options menu, the Latency
slider is disabled.
For more detailed information about routing scenarios with the External Instrument device,
please see the Routing and I/O chapter.
23.6 Impulse
The Impulse Instrument.
Impulse is a drum sampler with complex modulation capabilities. The eight drum samples










