User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 23. LIVE INSTRUMENT REFERENCE 390
offers an option to toggle Normalize on or off. When enabled, the oscillator's overall output
level is maintained as you draw additional harmonics. When disabled, additional harmonics
add additional level. Note that the volume can become extremely loud if Normalize is off.
You can export your waveform in .ams format to the Library/Samples/Waveforms folder via
an option in the (PC) /
Ctrl
(Mac) context menu. Ams les can be imported back
into Operator by dragging them from the Browser onto one of the oscillator's display areas.
Ams les can also be loaded into Simpler or Sampler.
Hint: Both the built-in and user waveforms can be copied and pasted from one oscillator to
another using the (PC) /
Ctrl
(Mac) context menu.
More Oscillator Parameters
The frequency of an oscillator can be adjusted in the shell with its Coarse and Fine controls.
An oscillator's frequency usually follows that of played notes, but for some sounds it might
be useful to set one or more oscillators to xed frequencies. This can be done for each
individual oscillator by activating the Fixed option. This allows the creation of sounds in
which only the timbre will vary when different notes are played, but the tuning will stay the
same. Fixed Mode would be useful, for example, in creating live drum sounds. Fixed Mode
also allows producing very low frequencies down to 0.1 Hz. Note that when Fixed Mode is
active, the frequency of the oscillator is controlled in the shell with the Frequency (Freq) and
Multiplier (Multi) controls.
Operator includes a special Osc<Vel control for each oscillator that allows altering frequency
as a function of velocity. This feature can be very useful when working with sequenced
sounds in which the velocity of each note can be adjusted carefully. Part of this functionality
is the adjacent Q (Quantize) button. If this control is activated, the frequency will only move
in whole numbers, just as if the Coarse control were being manually adjusted. If quantize is
not activated, the frequency will be shifted in an unquantized manner, leading to detuned
or inharmonic sounds (which very well could be exactly what you want...).
The amplitude of an oscillator depends on the Level setting of the oscillator in the shell
and on its envelope, which is shown and edited when the Envelope display is visible. The
envelopes can also be modied by note velocity and note pitch with the Vel and Key
parameters available in the Envelope section of each oscillator's display.










