User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 23. LIVE INSTRUMENT REFERENCE 400
OSC Crossfade A/C Crossfades the volumes of the A and C oscillators based on the value
of the modulation source.
OSC Crossfade B/D Crossfades the volumes of the B and D oscillators based on the value
of the modulation source.
OSC Feedback Modulates the amount of feedback for all oscillators. Note that feedback
is only applied to oscillators that are not modulated by other oscillators.
FM Drive Modulates the volume of all oscillators which are modulating other oscillators,
thus changing the timbre.
Filter Frequency Modulates the cutoff frequency of the lter.
Filter Q Modulates the resonance of the lter.
Filter Envelope Amount Modulates the lter's envelope intensity.
Shaper Drive Modulates the amount of gain applied to the lter's waveshaper.
LFO Rate Modulates the rate of the LFO.
LFO Amount Modulates the intensity of the LFO.
Pitch Envelope Amount Modulates the intensity of the pitch envelope.
Volume Modulates Operator's global output volume.
Panorama Modulates the position of Operator's output in the stereo eld.
Tone Modulates the global Tone parameter.
Time Modulates the global control for all envelope rates.
Pitch Shell and Display
Pitch Envelope On This turns the pitch envelope on and off. Turning it off if it is unused
saves some CPU power.
Pitch Envelope Amount (Pitch Env) This sets the overall intensity of the pitch envelope. A
value of 100% means that the pitch change is exactly dened by the pitch envelope's levels.
A value of -100% inverts the sign of the pitch envelope levels.