User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 23. LIVE INSTRUMENT REFERENCE 409
23.10 Sampler
The Sampler Instrument.
Sampler is a sleek yet formidable multisampling instrument that takes full advantage of Live's
agile audio engine. It has been designed from the start to handle multi-gigabyte instrument
libraries with ease, and it imports most common library formats. But with Sampler, playback
is only the beginning; its extensive internal modulation system, which addresses nearly every
aspect of its sound, makes it the natural extension of Live's sound-shaping techniques.
The full version of Sampler is not included with the standard version of Live, but is a special
feature available for purchase separately. Sampler users who want to share their presets
with all Live users can convert their work to Simpler presets. To do this, (PC) /
Ctrl
(Mac) on Sampler's title bar and choose the Sampler -> Simpler command.
Getting started with Sampler is as easy as choosing a preset from the Device Browser. Like
all of Live's devices, Sampler's presets are located in folders listed beneath its name. Presets
imported from third-party sample libraries are listed here, too, in the Imports folder.
Once you have loaded a Sampler preset into a track, remember to arm the track for recording
(which also enables you to hear any MIDI notes you might want to play), and then start
playing!
23.10.1 Multisampling
Before going on, let's introduce the concept of multisampling. This technique is used to
accurately capture the complexity of instruments that produce dynamic timbral changes.
Rather than rely on the simple transposition of a single recorded sample, multisampling










