User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 23. LIVE INSTRUMENT REFERENCE 412
23.10.3 The Zone Tab
The Key Zone Editor.
Clicking on the Zone tab toggles the display of Sampler's Zone Editor, which offers a hands-
on interface for mapping any number of samples across three types of ranges.
The Zone Editor opens in its own dedicated view, directly above the Track View. When used
in conjunction with Sampler's other tabs, this layout greatly accelerates the creation and
editing of multisamples.
On the left side of the Zone Editor is the sample layer list, where multisamples are organized.
All of the individual samples belonging to a multisample are shown in this list, where they
are referred to as layers. For complex multisamples, this list can be quite long. Pressing
(PC) /
Ctrl
(Mac) within the sample layer list opens a context menu that offers a variety
of options for sorting and displaying the layers, distributing them across the keyboard and
various other sample management and housekeeping options.
The rest of the view is occupied by one of three editors that correspond to the sample layers:
the Key Zone Editor, the Velocity Zone Editor and the Sample Select Editor. These editors
can be horizontally zoomed by pressing (PC) /
Ctrl
(Mac) within them to bring up
a context menu with sizing options.
Auto Select (Auto) As MIDI notes arrive at Sampler, they are ltered by each sample layer's
key, velocity and sample select zones. With Auto Select enabled, all sample layers that are
able to play an incoming note will become selected in the sample layer list for the duration
of that note.
Zone Fade Mode (Lin/Pow) These buttons toggle the fade mode of all zones between
linear and constant-power (exponential) slopes.










