User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 23. LIVE INSTRUMENT REFERENCE 413
Zone Editor View (Key/Vel/Sel) These buttons toggle the display of the Key Zone, Velocity
Zone and Sample Select Editors.
The Sample Layer List
All samples contained in the currently loaded multisample are listed here, with each sample
given its own layer. For very large multisamples, this list might be hundreds of layers long!
Fortunately, layers can be descriptively named (according to their root key, for example).
Mousing over a layer in the list or a zone in the zone editors will display relevant information
about the corresponding sample in the Status Bar. Selecting any layer will load its sample
into the Sample tab for examination.
Key Zones
Key zones dene the range of MIDI notes over which each sample will play. Samples are
only triggered when incoming MIDI notes lie within their key zone. Every sample has its
own key zone, which can span anywhere from a single key up to the full 127.
A typical multisampled instrument contains many individual samples, distributed into many
key zones. Samples are captured at a particular key of an instrument's voice range (known
as their root key), but may continue to sound accurate when transposed a few semitones up
or down. This range usually corresponds to the sample's key zone; ranges beyond this zone
are represented by additional samples, as needed.
By default, the key zones of newly imported samples cover the full MIDI note range. Zones
can be moved and resized like clips in the Arrangement View, by dragging their right or left
edges to resize them, then dragging them into position.
Zones can also be faded over a number of semitones at either end by dragging their top
right or left corners. This makes it easy to smoothly crossfade between adjacent samples as
the length of the keyboard is traversed. The Lin and Pow boxes above the sample layer list
indicate whether the zones will fade in a linear or exponential manner.










