User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 23. LIVE INSTRUMENT REFERENCE 430
23.13 Tension
The Tension Instrument.
Tension is a synthesizer dedicated to the emulation of string instruments, and developed in
collaboration with Applied Acoustics Systems. The synthesizer is entirely based on physical
modeling technology and uses no sampling or wavetables. Instead, it produces sound by
solving mathematical equations that model the different components in string instruments
and how they interact. This elaborate synthesis engine responds dynamically to the control
signals it receives while you play thereby reproducing the richness and responsiveness of
real string instruments.
The full version of Tension is not included with the standard version of Live, but is a special
feature available for purchase separately.
Tension features four types of excitators (two types of hammer, a pick and a bow) an accurate
model of a string, a model of the fret/nger interaction, a damper model and different types
of soundboards. The combination of these different elements allows for the reproduction of
a wide range of string instruments. Tension is also equipped with lters, LFOs and envelope
parameters that extend the sound sculpting possibilities beyond what would be possible
with real-world instruments. Finally, Tension offers a wide range of performance features,
including keyboard modes, portamento, vibrato and legato functions.
23.13.1 Architecture and Interface
It is the vibration from the string which constitutes the main sound production mechanism
of the instrument. The string is set into motion by the action of an excitator which can be










