User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 23. LIVE INSTRUMENT REFERENCE 431
a hammer, a pick or a bow. The frequency of the oscillation is determined by the effective
length of the string, which is controlled by the nger/fret interaction or termination. A
damper can be applied to the strings in order to reduce the decay time of the oscillation.
This is the case on a piano, for example, when felt is applied to the strings by releasing the
keys and sustain pedal. The vibration from the string is then transmitted to the body of the
instrument, which can radiate sound efciently. In some instruments, the string vibration
is transmitted directly to the body through the bridge. In other instruments, such as the
electric guitar, a pickup is used to transmit the string vibration to an amplier. In addition to
these main sections, a lter section has been included between the string and body sections
in order to expand the sonic possibilities of the instrument.
The Tension interface is divided into two main tabs, which are further divided into sections.
The String tab contains all of the fundamental sound producing components related to the
string itself: Excitator, String, Damper, Termination, Pickup and Body. The Filter/Global
tab contains the Filter section, as well as controls for global performance parameters. Each
section (with the exception of String and the global Keyboard section) can be enabled or
disabled independently. Tur ning off a section reduces CPU usage.
23.13.2 String Tab
The String tab contains the parameters related to the physical properties of the string itself,
as well as the way in which it's played.
The Excitator Section
Tension's Excitator
Section.










