User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 23. LIVE INSTRUMENT REFERENCE 437
The Mass, Stiffness and Velocity parameters can be further modulated by note pitch, via the
sliders below.
The stiffness of the damper mechanism is adjusted with the Damping knob, which affects the
overall amount of vibration absorbed by the damper. Lower values result in less damping
(longer decay times.) But this becomes a bit less predictable as the Damping value goes
over 50%. At higher values, the mechanism becomes so stiff that it bounces against the
string. This in turn reduces the overall amount of time that the damper is in contact with the
string, causing an increase in decay time. The best way to get a sense of how this parameter
behaves is to gradually turn up the knob as you repeatedly strike a single key.
The Position knob serves an analogous function to the control in the Excitator section, but
here species the point on the string where the damper makes contact. At 0%, the damper
contacts the string at its termination point, while at 50% it damps the string at its midpoint.
The behavior is a bit different if the Fix. Pos switch is enabled, however. In this case, the
contact point is xed to a single location, rather than changing as the length of the string
changes. The damper's position can additionally be modulated by velocity or note pitch,
via the Vel and Key sliders.
The Damper section can be toggled on or off via the switch next to its name.
The Termination Section
Tension's Termination
Section.
The Termination section models the interaction between the fret, nger and string. On
a physical instrument, this interaction is used to change the effective length of the string,
which in turn sets the pitch of the note played. The physical parameters of the nger are










