User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 23. LIVE INSTRUMENT REFERENCE 442
Global and Keyboard Parameters
Tension's Global and
Keyboard Parameters.
The remaining section contain all of the parameters that adjust how Tension responds to
MIDI data, as well as controls for performance parameters such as tuning and portamento.
The Keyboard section contains all of Tension's polyphony and tuning parameters. The Voices
chooser sets the available polyphony, while Priority determines which notes will be cut off
when the maximum polyphony is exceeded. When Priority is set to High, new notes that
are higher than currently sustained notes will have priority, and notes will be cut off starting
from the lowest pitch. Low Priority is the opposite. A setting of Last gives priority to the
most recently played notes, cutting off the oldest notes as necessary.
The Octave, Semi and Tuning controls function as coarse and ne tuners. Octave transposes
the entire instrument by octaves, while Semi transposes up or down in semitone increments.
The Tuning slider adjusts in increments of one cent (up to a maximum of 50 cents up or
down).
The pitch bend modulation range in semitones is set by the P. Bend slider.
Stretch simulates a technique known as stretch tuning, which is a common tuning modica-
tion made to electric and acoustic pianos. At 0%, Tension will play in equal temperament,
which means that two notes are an octave apart when the upper note's fundamental pitch is
exactly twice the lower note's. But because the actual resonance behavior of a vibrating tine
or string differs from the theoretical model, equal temperament tends to sound wrong
on pianos. Increasing the Stretch amount raises the pitch of upper notes while lowering
the pitch of lower ones. The result is a more brilliant sound. Negative values simulate
negative stretch tuning; upper notes become atter while lower notes become sharper.










