User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 26. MIDI AND KEY REMOTE CONTROL 454
26.1 MIDI Remote Control
Live can be controlled remotely by external MIDI control surfaces, such as MIDI keyboards
or controller boxes. Live also supports the Akai APC40 , a topic that is covered in its own
chapter, for completely mouse-free program operation.
Before we explain how remote control assignments are made and implemented, let's rst
make the distinction between MIDI remote control and a separate use of MIDI in Live: as
the input for our MIDI tracks. Let's suppose that you are using a MIDI keyboard to play an
instrument in one of Live's MIDI tracks. If you assign C-1 on your MIDI keyboard to a Session
View Clip Launch button, that key will cease play C-1 of your MIDI track's instrument, as it
now belongs solely to the Clip Launch button.
MIDI keys that become part of remote control assignments can no longer be used as input
for MIDI tracks. This is a common cause of confusion that can be easily resolved by observing
the Control Bar's MIDI indicators.
Before making any MIDI assignments, you will need to set up Live to recognize your control
surfaces. This is done in the MIDI/Sync tab of Live's Preferences, which can be opened with
the keyboard shortcut
Ctrl
,
(PC) /
,
(Mac).
26.1.1 Natively Supported Control Surfaces
Control Surfaces are dened in the table at the top of the MIDI/Sync tab. Up to six supported
control surfaces can be used simultaneously in Live.
Setting Up Control
Surfaces.
Open the rst chooser in the Control Surface column to see whether your control surface
is supported natively by Live; if it is listed here, you can select it by name, and then dene
its MIDI input and output ports using the two columns to the right. If your controller is not










