User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 26. MIDI AND KEY REMOTE CONTROL 455
listed here, don't fret it can still be enabled manually in the next section, Manual Control
Surface Support.
Depending on the controller, Live may need to perform a preset dump to complete the
setup. If this is the case, the Dump button to the right of your control surface's choosers in
the Live Preferences will become enabled. Before pressing it, verify that your control surface
is ready to receive preset dumps. The method for enabling this varies for each manufacturer
and product, so consult your hardware's documentation if you are unsure. Finally, press the
Dump button; Live will then set up your hardware automatically.
Instant Mappings
In most cases, Live uses a standard method for mapping its functions and parameters to
physical controls. This varies, of course, depending upon the conguration of knobs, sliders
and buttons on the control surface. These feature-dependent congurations are known as
instant mappings.
Within Live's built-in lessons, you will nd a Control Surface Reference that lists all currently
supported hardware, complete with the details of their instant mappings. The Lessons View
can be accessed at any time by selecting the Lessons option from the View menu.
Note: You can always manually override any instant mappings with your own assignments.
In this case, you will also want to enable the Remote switches for the MIDI ports that your
control surface is using. This is done in the MIDI Ports section of the MIDI/Sync Preferences
tab, and is described in the next section.
Instant mappings are advantageous because the control surface's controllers will automati-
cally reassign themselves in order to control the currently selected device in Live.










