User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 26. MIDI AND KEY REMOTE CONTROL 457
Note: Some control surfaces do not support locking to devices. This capability is indicated
for individual controllers in the Control Surface Reference lesson. Select the Lessons option
from the View menu to access Live's built-in lessons.
26.1.2 Manual Control Surface Setup
If your MIDI control surface is not listed in the MIDI/Sync Preferences' Control Surface
chooser, it can still be enabled for manual mapping in the MIDI Ports section of this tab.
Dening Control
Surfaces Manually.
The MIDI Ports table lists all available MIDI input and output ports. To use an input port
for remote control of Live, make sure the corresponding switch in its Remote column is set
to On. You can use any number of MIDI ports for remote mapping; Live will merge their
incoming MIDI signals.
When working with a control surface that provides physical or visual feedback, you will also
need to enable the Remote switch for its output port. Live needs to be able to communicate
with such control surfaces when a value has changed so that they can update the positions
of their motorized faders or the status of their LEDs to match.
To test your setup, try sending some MIDI data to Live from your control surface. The Control
Bar's MIDI indicators will ash whenever Live recognizes an incoming MIDI message.
Once your controller is recognized by Live, you have completed the setup phase (but
we recommend that you take the time to select a Takeover Mode before you leave the
Preferences behind). Your next step will be creating MIDI mappings between your control
surface and Live. Luckily, this is a simple task, and you only need to do it for one parameter
at a time.










