User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 26. MIDI AND KEY REMOTE CONTROL 460
Once your remote control setup has been dened in the MIDI/Sync Preferences, giving MIDI
controllers and notes remote control assignments is simple:
1. Enter MIDI Map Mode by pressing the MIDI switch in Live's upper right-hand
corner. Notice that assignable elements of the interface become highlighted
in blue, and that the Mapping Browser becomes available. If your Browser is
closed,
Ctrl
Alt
B
(PC) /
Alt
B
(Mac) will open it for you.
2. Click on the Live parameter that you'd like to control via MIDI.
3. Send a MIDI message by pressing a keyboard key, turning a knob, etc., on your
MIDI controller. You will see that this new MIDI mapping is now listed in the
Mapping Browser.
4. Exit MIDI Map Mode by pressing the MIDI switch once again. The Mapping
Browser will disappear, but you can always review your mappings by entering
MIDI Map Mode again.
26.2.2 Mapping to MIDI Notes
MIDI notes send simple Note On and Note Off messages to Live's interface elements. These
messages can produce the following effects on controls in Live:
Session View Slots Note On and Note Off messages affect clips in the slot according
to their Launch Mode settings.
Switches A Note On message toggles the switch's state.
Radio Buttons Note On messages toggle through the available options.
Variable Parameters When assigned to a single note, Note On messages toggle the
parameter between its Min and Max values. When assigned to a range of notes, each
note is assigned a discrete value, equally spaced over the parameter's range of values.
Hint: Session View slots can be assigned to a MIDI note range for chromatic playing: First
play the root key (this is the key that will play the clip at its default transposition), and then,
while holding down the root key, hold one key below the root and one above it to dene
the limits of the range.










