User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 26. MIDI AND KEY REMOTE CONTROL 464
Clip View interface could potentially affect any clip in the Live Set. For this reason, we
recommend mapping Clip View controls to relative MIDI controllers to prevent undesirable
jumps in parameter values.
26.2.5 Computer Keyboard Remote Control
The Key Map Mode
Switch.
Creating control surface assignments for your computer keyboard is straightforward:
1. Enter Key Map Mode by pressing the KEY switch in the upper right-hand corner
of the Live screen. Notice that the assignable elements of the interface become
highlighted in red when you enter Key Map Mode. The Mapping Browser will
also become available. If the Browser is hidden, you will want to show it at this
point using the appropriate View menu command.
2. Click on the Live parameter that you wish to assign to a key. Remember that
only the controls that are shown with a red overlay are available for mapping.
3. Press the computer key to which you wish to assign the control. The details of
your new mapping will be displayed in the Mapping Browser.
4. Leave Key Map Mode by pressing Live's KEY switch once again. The Mapping
Browser will disappear, but your mappings can be reviewed at any time simply
by entering Key Map Mode again.
Keyboard assignments can produce the following effects in Live:
Clips in Session V iew slots will be affected by mapped keys according to their Launch
Mode settings.
Keys assigned to switches will toggle switch states.
Keys assigned to radio buttons will toggle through the available options.
Please be sure not to confuse this remote control functionality with Live's ability to use
the computer keyboard as a pseudo-MIDI keyboard that can generate MIDI notes from










