User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 29. COMPUTER AUDIO RESOURCES AND STRATEGIES 484
Fortunately, Live supports multicore and multiprocessor systems, allowing the processing
load from things like instruments, effects and I/O to be distributed among the available
resources. Depending on the machine and the Live Set, the available processing power can
be several times that of older systems.
If you are working on a multicore or multiprocessor system, you will want to enable support
for it in the CPU tab of Live's Preferences.
The CPU Load Meter.
The Control Bar's CPU meter displays how much of the computer's computational potential is
currently being used. For example, if the displayed percentage is 10 percent, the computer
is just coasting along. If the percentage is 100 percent, the processing is being maxed
out it's likely that you will hear gaps, clicks or other audio problems. Note that the CPU
meter takes into account only the load from processing audio, not other tasks the computer
performs (e.g., managing Live's user interface).
Audio calculations have the highest priority in Live. Therefore, even if the CPU shows a high
percentage of processor usage, the audio stream should remain uninterrupted. However,
non-critical functions (such as screen redraws) might slow down because these tasks are
handled only when the audio processing lightens up a bit.
29.1.1 CPU Load from Multichannel Audio
One source of constant CPU drain is the process of moving data to and from the audio
hardware. This drain can be minimized by disabling any inputs and outputs that are not
required in a project. There are two buttons in the Audio Preferences to access the Input
and Output Conguration dialogs, which allow activating or deactivating individual ins and
outs.
Live does not automatically disable unused channels, because the audio hardware drivers
usually produce an audible hiccup when there is a request for an audio conguration
change.










