User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 29. COMPUTER AUDIO RESOURCES AND STRATEGIES 486
device or clip settings. On slower machines, you can unfreeze processor-intensive tracks
one at a time to make edits, freezing them again when you are done.
Many editing functions remain available to tracks that are frozen. Launching clips can still be
done freely, and mixer controls such as volume, pan and the sends are still available. Other
possibilities include:
Edit, cut, copy, paste, duplicate and trim clips;
Draw and edit mixer automation and mixer clip envelopes;
Consolidate;
Record Session View clip launches into the Arrangement View;
Create, move and duplicate Session View scenes;
Drag frozen MIDI clips into audio tracks.
When performing edits on frozen tracks that contain time-based effects such as reverb,
you should note that the audible result may be different once the track is again unfrozen,
depending on the situation. This is because, if a track is frozen, the applied effects are not
being calculated at all, and therefore cannot change their response to reect edited input
material. When the track is again unfrozen, all effects will be recalculated in real time.
A Frozen Arrangement
Track with a Reverb Tail.
Frozen Arrangement View tracks will play back any relevant material extending beyond the
lengths of their clips (e.g., the tails of Reverb effects). These frozen tails will appear in
the Arrangement as crosshatched regions located adjacent to their corresponding clips.
They are treated by Live as separate, temporary clips that disappear when unfrozen,
since the effect is then calculated in real time. Therefore, when moving a frozen clip in the
Arrangement, you will usually want to select the second, frozen tail clip as well, so that the
two remain together.










