User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 30. AUDIO FACT SHEET 498
30.3.9 Panning
Live uses constant power panning with sinusoidal gain curves. Output is 0 dB at the
center position and signals panned fully left or right will be increased by +3 dB. In order to
minimize this volume change, it may be helpful to narrow the overall stereo width before
doing extreme panning. This can be done via the Width control in the Utility device.
30.3.10 Grooves
Under most conditions, playback of a warped clip that is at the same tempo as the Set is
a neutral operation. However, if a groove is applied, playback will be non-neutral at any
tempo.
30.4 Tips for Achieving Optimal Sound Quality in Live
For users looking to achieve optimal audio quality in Live, we have provided a list of
recommended practices and program settings.
Decide which sample rate to use for a project prior to beginning work, rather than
changing the sample rate while working on the project.
Record audio into Live using high-quality hardware components (audio interface, ca-
bles, etc.) and at the highest sample rate and bit depth your interface and computer
will support.
Avoid using samples that are at different sample rates within the same project. If you
want to work with such les, we recommend that you rst convert them to the sample
rate set for your audio interface in an ofine application that is optimized for this task.
For all audio clips, disable both the Warp and Fade options in the Clip View.
Do not adjust the Transpose and Detune controls for any clips.
Always render at 32-bit and at the sample rate set for your audio interface. If you
need audio les at a different sample rate and/or bit depth, we recommend that you