User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 31. MIDI FACT SHEET 505
At 44.1 kHz and 512 sample buffer, occasional events with +/- 6 ms occurred. In all
cases, the majority of the jitter occurred at +/- 1 ms.
Interface C: For most of the tests, the maximum jitter was +/- 5 ms. At 96 kHz and 512
sample buffer, there were a small number of events with between +/- 6 and 8 ms of
jitter. At 44.1 kHz and 1024 sample buffer, there were a small number of events with
jitter as high as +/- 10 ms. In all cases, the majority of the jitter occurred at +/- 1 ms.
OS X:
Interface A: At 44.1 kHz and 1152 sample buffer, jitter was fairly evenly distributed
between +/- 4 and 11 ms. For all other tests, the maximum jitter was +/- 5 ms. In all
tests, the majority of the jitter occured at +/- 1 ms.
Interface B: For most of the tests, the maximum jitter was +/- 4 or 5 ms. At 44.1 kHz
and 1152 sample buffer, there was a fairly even distribution of jitter between +/- 2 and
11 ms. In all cases, the majority of the jitter occurred at +/- 1 ms.
Interface C: In all tests, the maximum jitter was +/- 1 ms, with most events occurring
with no jitter.
We also performed a similar procedure for testing the timing of outgoing MIDI events, as
represented in the following diagram:
Audio Recording
(another instance of Live)
MIDI-to-Audio
Converter
Live
MIDI Clip
Audio Clip
MIDI Output Test
Conguration.
In all cases, the output tests showed comparable results to the input tests.










