User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 31. MIDI FACT SHEET 506
31.6 Tips for Achieving Optimal MIDI Perfor mance
In order to help users achieve optimal MIDI performance with Live, we have provided a list
of recommended practices and program settings.
Use the lowest possible buffer sizes available on your audio hardware, thereby keeping
latency to a minimum. Audio buffer controls are found in the Audio tab of Live's
Preferences, and vary depending on the type of hardware you're using. For more
information, see the Lesson Setting Up Audio I/O.
Use a high quality MIDI interface with the most current drivers in order to ensure that
MIDI timestamps are generated and processed as accurately as possible.
Do not enable track monitoring if you are recording MIDI while listening directly to
a hardware device such as an external synthesizer (as opposed to listening to the
device's audio through Live via the External Instrument device). Likewise, disable track
monitoring when recording MIDI data that is generated by another MIDI device (such
as a drum machine). When monitoring is enabled, Live adds latency to compensate for
playthrough jitter. Therefore, it is important to only enable monitoring when actually
playing through.
The DirectMusic architecture on Windows allows outgoing MIDI events to be sched-
uled by the operating system rather than scheduled by Live alone, so performance
may differ depending on whether or not you're using MME or DirectMusic mode. If
you experience timing issues, we recommend switching to the other mode. This is set
in the MIDI Ports list in the MIDI/Sync Preferences.
Selecting the MIDI Port
Type (Windows).