User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
INDEX 526
L
Language preference . . . . . . . . . . . . . . . . . . . . . 6
latency
and the External Audio Effect . . . . . .298
Latin Percussion . . . . . . . . . . . . . . . . . . . . . . . .384
Launch box . . . . . . . . . . . . . . . . . . . . . . . 100, 155
Launch Modes . . . . . . . . . . . . . . . . . . . . . . . . . 156
Legato Mode . . . . . . . . . . . . . . . . . . . . . . . . . . 158
lessons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29, 61
migrating from older versions . . . . . . . 64
Library Location preference . . . . . . . . . . . . . 63
Library Preferences . . . . . . . . . . . . . . . . . . . . . . . 7
Limiter effect . . . . . . . . . . . . . . . . . . . . . . . . . . .308
Link/Unlink Envelope switch . . . . . . . . . . . .267
Live Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Live Device Browser . . . . . . . . . . . . . . . . . 8, 211
Live Packs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Live Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
and device presets . . . . . . . . . . . . . . . . . .60
and Live Sets . . . . . . . . . . . . . . . . . . . . . . . 57
packing . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70
Live Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13, 52
changing sample references . . . . . . . . 55
downloading . . . . . . . . . . . . . . . . . . . . . . 451
exporting and importing . . . . . . . . . . . . 52
saving the default template . . . . . . . . . 54
uploading . . . . . . . . . . . . . . . . . . . . . . . . . 449
locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Lock Envelopes command . . . . . . . . . . . . . 256
Lock Envelopes switch . . . . . . . . . . . . . . . . . 256
Look/Feel Preferences . . . . . . . . . . . . . . . . . . . . 6
loop brace
in the Arrangement . . . . . . . . . . . . . . . . . 80
with clips . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Loop Selection command . . . . . . . . . . . . . . . 80
Loop Start/Punch-In Position elds . . . . . . 80
Loop switch
Clip View . . . . . . . . . . . . . . . .108, 267, 268
Control Bar . . . . . . . . . . . . . . . . . . . . . . . . . 80
with MIDI clips . . . . . . . . . . . . . . . . . . . . 140
Loop To Next Locator command . . . . . . . . 78
Loop/Punch Region Length elds . . . . . . . 80
Loop/Region controls . . . . . . . . . . . . . 107, 109
and clip envelopes . . . . . . . . . . . . . . . . 267
with MIDI clips . . . . . . . . . . . . . . . . . . . . 140
Loop/Warp Short Samples preference . . 120
Looper effect . . . . . . . . . . . . . . . . . . . . . . . . . . 309
feedback routing . . . . . . . . . . . . . . . . . . 313
M
Macro Controls . . . . . . . . . . . . . . . . . . . . . . . . 230
Macro Map Mode . . . . . . . . . . . . . . . . . . . . . .247
Manage Files command
and changing sample references . . . . 55
and collecting external samples . 67, 68
and nding unused samples . . . . . . . . 69
and importing projects . . . . . . . . . . . . . 64
and locating missing samples . . . . . . . 64
and packing Live Projects . . . . . . . . . . . 70
and project management . . . . . . . . . . . 60
managing les . . . . . . . . . . . see File Manager
Mapping Browser . . . . . . . . . . . . . . . . . . . . . . 459
mapping to MIDI/keys . . . . . . . . . . . . . 27, 453
and recording . . . . . . . . . . . . . . . . . . . . . 207
Master Out chooser . . . . . . . . . . . . . . . . . . . . 196
Master track . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Max for Live . . . . . . . . . . . . . . . . . . . . . . . . . . . 447
Maximum Cache Size preference . . . . . . . . 42
Metronome switch . . . . . . . . . . . . . . . . . . . . . 205










