User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 5. MANAGING FILES AND SETS 59
The piece evolves towards something entirely different, and we feel that it should live in a
Project of its own. So, we Save As... under a new name and in some location outside the
current Project, say the Desktop:
A New Project Was
Added by Saving a Live
Set Outside its Original
Project.
Note that the new project folder has no Samples folder (yet). Electro with Piano.als is
still referencing the piano sample from the original Tango Project. There is nothing wrong
with this except for when the Tango Project is moved away or deleted; then Tango with
Piano.als will be missing samples. You can prevent this by collecting samples. Even after
the fact, Live's tools for searching missing samples can help solve this problem.
There is actually no need to keep a Project's Live Set exactly one level below the Project
itself. Within a project folder, you can create any number of sub-folders and move les
around to organize them as desired, although you many need to use the File Manager to
teach the Project about the changes you've made.
In general, Live will do what it can to prevent situations such as orphaned (Project-less) Live
Sets (and Live Clips and presets), which have the potential of confusing both the user and
Live's le management tools. It cannot, however, control situations in which Sets or les are
moved out of order and become disorganized via the Explorer (Windows)/Finder (Mac).
A note for users of older Live versions: Live 8 does not allow overwriting Live Sets that were
created by older versions to prevent compatibility problems. Instead, you will be requested
to Save As.... Doing this will insure that the newly saved Live Sets reside in project folders.










