User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 5. MANAGING FILES AND SETS 68
Separated by location (the Library, installed by factory Live Packs, other Projects and else-
where sample collections from external drives, for example), the File Manager provides:
A sample count and the associated disk space used;
A Show button that will list the samples in the File Browser;
A Yes/No toggle for engaging or disengaging collection.
Note: Make sure to conrm your choices by clicking the File Manager's Collect and Save
button!
The File Manager's
Collect and Save Button.
The File menu's Collect All and Save command is a shortcut that collects and saves all
external samples referenced by the current Set, including those from the Library. Note that
this can cause a lot of copying, especially if your Live Set uses large multisample collections!
5.9.1 Collect Samples on Export
When you save Live Clips, device presets or tracks by dragging them into the Browser,
Live manages the copying of associated samples based on the selection made in the Col-
lect Samples on Export chooser in the File/Folder Preferences. This chooser provides the
following options:
Always, the default setting, will copy les into the same folder as the clip, preset, or
track without notication.
When Ask is selected, Live provides a dialog box with options for copying les.
Never means that samples will not be copied when saving.
5.10 Aggregated Locating and Collecting
Instead of having to deal with problems while you are in a creative mode, you might prefer
putting aside some dedicated housekeeping time to solve all the problems in one go. Using