User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 7. SESSION VIEW 92
A Scene in the Session
View.
The horizontal rows are called scenes. The Scene Launch buttons are located in the rightmost
column, which represents the Master track. To launch every clip in a row simultaneously,
click on the associated Scene Launch button. This can be very useful in organizing the live
performance of a song with multiple parts.
The scene below a launched scene will automatically be selected as the next to be launched
unless the Select Next Scene on Launch option in the Launch Preferences is set to Off.
This allows you to trigger scenes from top to bottom without having to select them rst.
Computer keys or a MIDI controller can be used to
launch scenes and scroll between them.
Scenes can be renamed using the Rename command in the Edit menu or the (PC) /
Ctrl
(Mac) context menu. One can quickly rename several scenes by executing the
Rename command and using the computer's Tab key to move from one scene to the next.
You can also enter your own info text for a scene via the Edit Info Text command in the Edit
menu or in the scene's (PC) /
Ctrl
(Mac) context menu. The context menu also
contains a color palette where you can choose a custom scene color.
Scenes can be reordered by drag-and-drop. Multiple adjacent or nonadjacent scenes can be
selected at once by -clicking or
Ctrl
-clicking, respectively. If you drag a selection of
nonadjacent scenes, they will be collapsed together when dropped. To move nonadjacent
scenes without collapsing, use
Ctrl
+ / instead of the mouse.
Scene names can be both descriptive and functional; if Live detects a viable tempo and/
or time signature as part of a scene name, the project will automatically adjust to these
parameters when the scene is launched. To assign a tempo to a scene, select the scene
and rename it with a viable tempo (e.g., 96 BPM). Any tempo can be used, as long as it is
within the range allowed by Live's Tempo control (20999 BPM). To assign a time signature
to a scene, rename the scene with a meter in the form of x/y (e.g., 4/4). Any time
signature can be used, provided it has a numerator between 1 and 99 and a denominator
with a beat value of 1, 2, 4, 8 or 16.










