Reference Manual
CHAPTER 19. LIVE AUDIO EFFECT REFERENCE 221
Interval and Offset.
Activating the Repeat button bypasses all of the above controls, immediately capturing
material and repeating it until deactivated.
The Grid control denes the grid size the size of each repeated slice. If set to 1/16, a
slice the size of one sixteenth note will be captured and repeated for the given Gate length
(or until Repeat is deactivated). Large grid values create rhythmic loops, while small values
create sonic artifacts. The No Triplets button sets grid division as binary.
Grid size can be changed randomly using the Variation control. If Variation is set to 0,
grid size is xed. But when Variation is set to higher values, the grid uctuates considerably
around the set Grid value. Variation has several different modes, available in the chooser
below: Trigger creates variations of the grid when repetitions are triggered; 1/4, 1/8 and
1/16 trigger variations in regular intervals; and Auto forces Beat Repeat to apply a new
random variation after each repetition the most complex form of grid variation in Beat
Repeat (especially if triplets are also allowed).
Beat Repeat's repetitions can be pitched down for special sonic effects. Pitch is adjusted
through resampling in Beat Repeat, lengthening segments to pitch them down without again
compressing them to adjust for the length change. This means that the rhythmical structure
can become quite ambiguous with higher Pitch values. The Pitch Decay control tapers the
pitch curve, making each repeated slice play lower than the previous one. Warning: This is
the most obscure parameter of Beat Repeat.
Beat Repeat includes a combined lowpass and highpass lter for dening the passed fre-
quency range of the device. You can turn the lter on and off, and set the center frequency
and width of the passed frequency band, using the respective controls.
The original signal (which was received at Beat Repeat's input) is mixed with Beat Repeat's
repetitions according to one of three mix modes: Mix allows the original signal to pass
through the device and have repetitions added to it; Insert mutes the original signal when
repetitions are playing but passes it otherwise; and Gate passes only the repetitions, never
passing the original signal. Gate mode is especially useful when the effect is housed in a
return track.
You can set the output level of the device using the Volume control, and apply Decay to
create gradually fading repetitions.