Reference Manual

469 Live Instrument Reference
When programming Tension, it may help to think about the various sections as if they really are
attached to a single, physical object. For example, a bow moving at a slow speed could per-
haps excite an undamped string. But if that string is constricted by an enormous damper, the bow
will need to increase its velocity to have any effect.
To get a sense of what’s possible, it may help to study how the presets were made. You’ll soon
realize that Tension can do far more than just strings.