Reference Manual

575 Audio Fact Sheet
33.2.2 Matching sample rate/no transposition
Playback of an unstretched audio file in Live is a neutral operation, provided that the file‘s sam-
ple rate is the same as that set in Live‘s Preferences and that the file is played back without trans-
position. This is verified by cancellation tests of rendered output. Please note that “playback“ in
this context refers only to the audio within Live, prior to the point at which it reaches your audio
hardware.
33.2.3 Unstretched Beats/Tones/Texture/Re-Pitch Warping
If the tempo of a Clip is the same as the tempo of the Set, that clip will play back unstretched. In
this case, if the Warp mode (page 129) of the Clip is set to Beats, Tones, Texture or Re-Pitch
(but not Complex or Complex Pro), playback will be neutral. Any Warping caused by chang-
ing the Set’s tempo is non-permanent, and audio that plays back unwarped at a given tempo
will always play back unwarped at that tempo, even if the tempo is changed and then changed
back. For example, if you’ve recorded some tracks at 120 BPM, but then decide you’d like to
slow the tempo down to record a particularly difficult solo passage, the original tracks will play
back neutrally again after returning the tempo to 120 BPM. Only the recording made at the
slower tempo will be stretched. Please note that grooves (page 155) work by modifying the
positions of Warp markers. This means that playback of audio clips with groove applied will be
non-neutral even at the original tempo.
The neutrality of unstretched clip playback is verified by performing cancellation tests on ren-
dered output.
33.2.4 Summing at Single Mix Points
Since version 7, Live uses double precision (64-bit) summing at all points where signals are
mixed, including Clip and return track inputs, the Master track and Racks. Mixing in Live is thus a
neutral operation for signals mixed at any single summing point. This is tested by loading pairs of
24-bit files (white noise and fixed-frequency sine waves and their phase-inverted complements),
adding the pairs together eight times and rendering the output as 32-bit files. All tests result in
perfect phase cancellation.
Please note that, while 64-bit summing is applied to each single mix point, Live‘s internal pro-
cessing is still done at 32-bit. Thus, signals that are mixed across multiple summing points may
still result in an extremely small amount of signal degradation. This combination of 64-bit sum-