Specifications
PARAMETER REFERENCE MANUAL14
OSCILLATORS
parameter instead, controlling how much higher the pitch of the oscillator is than its master. To differentiate
this function from standard oscillator synchronization, it is called Sync.
Modulation destination “Osc2 FM Amount”.
About HyperSaw and SubOscillators : Similarly, HyperSaw oscillators also have their own integrated sub
oscillators - up to 9 square waves tuned an octave below the main oscillator, one for each saw wave.. To dif-
ferentiate these from the Classic sub oscillator, they are called HyperSub. The sub oscillator volume control
cross-fades between the main HyperSaw oscillator and its HyperSub.About HyperSaw and SubOscillators.
Similarly, HyperSaw oscillators also have their own integrated sub oscillators - multiple square waves tuned
an octave below the main oscillator. To differentiate these from the Classic sub oscillator, they are called Hy-
perSub.
¦ Sync Frequency
0 to 127: Adjust the frequency of the internal sync oscillator. If sync is set to off, this parameter will be not
available.
Oscillator1(WaveTable)
¦ Mode
Classic, HyperSaw, WaveTable etc.: Selects the basic type of oscillator.
¦ Index
0 to 127: This determines the playback position within the currently selected Wavetable. Each of the 128
available values represents either a particular wave or the interpolation of the two nearest waves. Modulating
the Index of a wavetable with an LFO or Envelope will often result in a highly-dynamic variation in the timbre
of a sound, impossible via any other means.
¦ Table
Sine ... Domina7rix: Selects one of many wavetables.
¦ Interpolation
Use this parameter to determine how smoothly the different waves in the current Wavetable are blended into
each other as the Wavetable Index of the respective oscillator is swept.
Since the number of waves differs with each Wavetable, the result of this will depend on which table you
have selected.
Each Wavetable refers to a selection of different original waves, through which the oscillator can sweep in re-
altime. At the default (0) setting of Interpolation, each of the 128 positions of the Wavetable Index represent
¦ Balance
-64 to +63: Adjusts the relative levels of oscillator1 and oscillator2 (including FM), whereby -64 is oscilla-
tor1 only and +63 is oscillator2 only. Note that this parameter is mirrored in the oscillator2 menu. Modula-
tion destination “Osc Balance”.
Oscillator1(HyperSaw)
This information only applies to oscillator1 in HyperSaw mode
¦ Mode
Classic, HyperSaw, WaveTable etc.: Selects the basic type of oscillator.
¦ Density
1.0 to 9.0: The number of sawtooth waves used. The volumes are cross-faded for completely smooth tran-
sitions. Modulation destination “Osc1 Shape“.
¦ Spread
0 to 127: Detuning of individual sawtooth waves within the HyperSaw. Modulation destination “Osc1
PulseWidth”.
¦ Semitone
-48 to +48 semitones: Adjust the pitch of oscillator1 in semitones. Modulation destination “Osc1Pitch“.
¦ Key Follow
-64 to +31, Norm, +33 to +63: How much the pitch of oscillator1 follows the keyboard (i.e. MIDI note
number). Press both VALUE buttons at the same time for normal tuning (Norm).
¦ Balance
-64 to +63: Adjusts the relative levels of oscillator1 and oscillator2 (including FM), whereby -64 is oscilla-
tor1 only and +63 is oscillator2 only. Note that this parameter is mirrored in the oscillator2 menu. Modula-
tion destination “Osc Balance”.
¦ Sync
Off, On: Switches oscillator1 Sync off/on.
Unlike Classic oscillators where oscillator2 can be synchronized to oscillator1, HyperSaws are always syn-
chronized to their own internal sync oscillator. In HyperSaw mode, FM Amount controls a frequency offset