Specifications

PARAMETER REFERENCE MANUAL30
OSCILLATORS
¦ Wavetable
Selects the current wavetable - each being a unique collection of different waves from which all manner of
different timbres may be achieved.
¦ Formant Shift
Use this parameter to sweep the pitch of the formants in the wavetable by +/- 64 semitones. The effect is
reminiscent of oscillator ‘sync’, and can be useful for both extreme lead sounds, as well as subtle timbral
variations.
¦ Formant Spread
By adjusting the spread of the formants, a very complex effect is achieved - something like an unholy alli-
ance between a sub-oscillator and a sync-sweep could be one way of describing it, although the depth of
the effect is highly-dependent on the current value of Formant Shift.
¦ Local Detune
Use this parameter to achieve the effect of two detuned oscillators an octave apart. Note that this parameter
is most effective when Formant Spread is set to a relatively low value.
¦ Interpolation
Use this parameter to determine how smoothly the different waves are blended you sweep the index param-
eter.
¦ Semitone
-48 to +48 semitones: Adjust the pitch of oscillator1 in semitones. Modulation destination “Osc1 Pitch“.
¦ Key Follow
-64 to +31, Norm, +33 to +63: How much the pitch of oscillator1 follows the keyboard (i.e. MIDI note
number). Press both VALUE buttons at the same time for normal tuning (Norm).
¦ Balance
-64 to +63: Adjusts the relative levels of oscillator1 and oscillator2 (including FM), whereby -64 is oscilla-
tor1 only and +63 is oscillator2 only. Note that this parameter is mirrored in the oscillator2 menu.
¦ Wavetable
Selects the current Wavetable - each being a unique collection of different waves from which all manner of
different timbres may be achieved.
¦ Formant Shift
Use this parameter to sweep the pitch of the formants in the wavetable by +/- 64 semitones. The effect is
reminiscent of oscillator sync, and can be useful for both extreme lead sounds (try broad sweeps!), as well
as subtle timbral variations.
¦ Interpolation
Use this parameter to determine how smoothly the different waves are blended you sweep the index param-
eter.
¦ Semitone
-48 to +48 semitones: Adjust the pitch of oscillator1 in semitones. Modulation destination “Osc1Pitch“.
¦ Key Follow
-64 to +31, Norm, +33 to +63: How much the pitch of oscillator1 follows the keyboard (i.e. MIDI note
number). Press both VALUE buttons at the same time for normal tuning (Norm).
¦ Balance
-64 to +63: Adjusts the relative levels of oscillator1 and oscillator2 (including FM), whereby -64 is oscilla-
tor1 only and +63 is oscillator2 only. Note that this parameter is mirrored in the oscillator2 menu.
Oscillator2(ComplexGrainTableOscillator)
¦ Mode
Classic, HyperSaw, WaveTable etc.: Selects the basic type of oscillator.
¦ Index
Determines the playback position within the currently selected Wavetable. Each of the 128 available values
represents either a particular wave or the interpolation of the two nearest waves. Modulating the Index of a
wavetable with an LFO or Envelope will often result in a highly-dynamic variation in the timbre of a sound,
impossible via any other means.