Specifications

PARAMETER REFERENCE MANUAL42
FILTERS
Mode Meaning
Split Mode The lters are also routed in parallel with 2 poles each, but each lter receives a different set of
signals: Oscillator1 and the sub-oscillator are sent to lter1, oscillator2 (including FM), oscillator 3
and noise are sent to lter2. The ring modulator is disabled.
There is no difference between Serial 4 and Serial 6 if one of the “analog” lter modes is selected .
¦ Filter Balance
-64 to +63: Put as simply as possible, this is the relative contribution of each lter to the overall output of the
lter section. Actually a complex set of cross-fades, but the result is highly intuitive: At 64 you can only hear
the output of Filter1. At 0, both lters contribute equally. At +63 you can only hear the output of Filter2.
¦ Cutoff Link
Position Meaning
Off The lter1 CUTOFF knob only affects lter1.
On The upper CUTOFF knob also controls lter2. The lower knob (CUTOFF 2) becomes a bipolar (64
to +63) offset to lter1 cutoff instead of an independant value.
¦ Key Follow Base
C-2 to G8: The pivot-note for Key Follow. Notes below and above this point will be affected by Key Follow.
¦ Pan Spread
0 to 127: The stereo width of the Split mode signal i.e. the relative levels of the left and right signals. Pan
Spread also applies to Unison sounds, and is therefore mirrored in the Master edit menu. Modulation desti-
nation “Pan Spread“.
Only visible here in Split mode (see “Routing” above).
¦ Mode
Mode Meaning
Low Pass LP. Allows frequencies below the cutoff point to pass through i.e rejects those above the cutoff
point.
High Pass HP. Allows frequencies above the cutoff point to pass through i.e. rejects those below the cutoff
point.
Band Pass BP. Allows frequencies close to the cutoff point to pass through i.e. simultaneously rejects those
above and below the cutoff point.
Band Stop BS. Rejects frequencies close to the cutoff point (within a certain “band”) i.e. allows frequencies
above or below the cutoff point to pass through. Note that Resonance effectively narrows this
band, making the effect less obvious.
Note that lter2 does not offer “analog” modes.
¦ Key Follow
0 to 127: How much cutoff 2 follows the MIDI note and pitch bender.
Modulation destination “Filter2 Key Follow”.
¦ Env Polarity
Positive, Negative: The effect of Env Amount on lter2 cutoff can be inverted by setting this parameter to
Negative.
Common
¦ Routing
Mode Meaning
Serial 4 The lters are routed in series, with 2 poles each.
Serial 6 The lters are routed in series, lter1 has 4 poles and lter2 has 2 poles.
Parallel 4 The lters are routed in parallel with 2 poles each.