User Manual
Table Of Contents
- TABLE OF CONTENTS
- 1. WELCOME TO THE MPC
- 2. OVERVIEW: MPC HARDWARE
- 3. INSTALLING THE MPC SOFTWARE
- 4. QUICK START TUTORIAL
- 4.1 FIRST START
- 4.2 FEEDING THE MPC SOFTWARE
- 4.3 RECORDING A DRUM PATTERN
- 4.4 ORGANIZATION & EDITING
- 4.5 BASIC SOUND EDITS
- 4.6 THE BASSLINE TRACK
- 4.7 WORKING WITH A DRUM LOOP
- 4.8 PAD AND TRACK MUTE
- 4.9 RECORD AND EDIT A SAMPLE
- 4.10 STEP-BY-STEP WITH STEP RECORDING
- 4.11 AUTOMATION
- 4.12 CREATING A SONG
- 4.13 EXPORTING THE WHOLE SONG
- 4.14 WORKING WITH THE MPC AS AN INSTRUMENT PLUGIN
- 5. THE MPC SOFTWARE IN DETAIL
- 5.0 DRUM PROGRAM VS. KEYGROUP PROGRAM
- 5.1 THE FILE BROWSER
- 5.2 THE UPPER SECTION
- 5.3 THE LOWER SECTION
- 5.4 THE GRID
- 5.5 MAIN MODE
- 5.6 PROGRAM EDIT MODE
- 5.7 PROGRAM MIXER MODE
- 5.8 TRACK MIXER MODE
- 5.9 TRACK VIEW MODE
- 5.10 SONG MODE
- 5.11 NEXT SEQUENCE MODE
- 5.12 SAMPLE RECORD MODE
- 5.13 SAMPLE EDIT MODE
- 5.14 PAD MUTE MODE
- 5.15 TRACK MUTE MODE
- 5.16 STEP SEQUENCE MODE
- 5.17 SOFTWARE MENUS
- 6. APPENDIX
- MPC SOFTWARE MANUAL ADDENDUM v1.1
- USING MPC AS AN RTAS PLUGIN
- ROUTING TRACKS TO SEPARATE OUTPUTS IN TRACK MIXERMODE
- EXPORTING SUBMIXES AND OUTPUTS
- USING BANK SELECT AND PROGRAM CHANGE MESSAGES
- ACCESSING NEWLY ADDED WINDOW MODE OPTIONS
- USING YOUR KEYBOARD TO SWITCH BETWEEN THE SELECT ANDDRAW TOOLS
- MIDI OUT PORT SELECTION AS A PLUGIN
- SELECTING PLUGINS AND PRESETS WITH THE HARDWARE
- EDITING SEQUENCE LOOP PARAMETERS WITH HARDWARE
- MPC SOFTWARE MANUAL ADDENDUM v1.3
- PLUGIN ARCHITECTURE REDESIGN
- MODE SELECTION REDESIGN
- MAIN MODE REDESIGN
- TRACK MIXER MODE REDESIGN
- PREFERENCES WINDOW REDESIGN
- LOADING SAMPLES DIRECTLY IN THE GRID AND BATCH-LOADING
- DUPLICATING NOTE EVENTS
- DELETING UNUSED SAMPLES FROM A PROJECT
- CONTROLLING PRO TOOLS TRANSPORT
- MPC HARDWARE: ZOOM CONTROL
- EXPORTING PROJECT ARCHIVES
- IMPORTING APS AND ALL FILES
- SP1200 RING VINTAGE MODE
- MPC STUDIO Q-LINK KNOB INDICATOR
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X Now press F6 (Record) and shout something like "Uhhh" or "Yeah!" into the microphone. The
recording procedure starts immediately when the input signal level reaches the threshold
value.
X Now press F6 (Stop) again, to stop recording.
If you're happy with your recording, please name the new sample in the MPC software in the
small window, which will pop up automatically after finishing the recording procedure. Let’s call it
"Vocal" for now. You should also assign the sample to an unused pad, e.g. Pad 13. Hit it to
assign the sample! After that, click on Keep.
Now we can edit our newly recorded sample. Select the sample in the PROJECT INFORMATION
section and right-click on it. In the pop-up menu, choose the option Edit. Sample Edit Mode will
open.
X Press F2 (Trim) on your MPC hardware to enter the trim mode for editing.
X Use the Q-Link knobs Q1, Q5, Q9 or Q13 to define a suitable start point of your sample. With
Q3, Q7, Q11 or Q15 you can define a suitable end point.
X To hear your edits, press the Pad A15 to play the sample from the new start point to the new
end point.
Finally, let’s apply some transformations to the sample. The MPC software offers some great
options.
The Process Sample display of the MPC hardware
X Press F6 (Edit) on your MPC hardware to enter the Process Sample page.
X With the data dial you can select the desired option. Let’s try some Pitch Shift to change the
overall pitch of your sample.
X Use the cursor to navigate to the Pitch parameter and set it to 5.0. This will transpose the
sample by 5 semitones but will not affect the length of the sample.
X Press F5 (Do It) to finalize the edit process.
Sounds cool, so let's include the new sample in your track. In the next chapter, we’ll show you an
easy way to record note events.