Owners Manual
Table Of Contents
- 1 Allgemeines
- 2 Konformitätserklärung
- 3 MicroLite: Beschreibung allgemein
- 4 Lavaliermikrofone
- 5 Ohrbügelmikrofone
- 6 Kopfbügelmikrofone
- 7 Mikrofon anschließen
- 8 Anwendung
- 9 Reinigung
- 10 Technische Daten
- 11 Fehlerbehebung
- 1 General
- 2 Declaration of Conformity
- 3 MicroLite: General description
- 4 Lavalier microphones
- 5 Ear hook microphone
- 6 Headworn microphones
- 7 Connecting the microphone
- 8 Use
- 9 Cleaning
- 10 Technical data
- 11 Troubleshooting
- 1 Généralités
- 2 Déclaration de conformité
- 3 MicroLite : Généralités
- 4 Microphones lavalier
- 5 Microphones tour d'oreille
- 6 Microphones serre-tête
- 7 Raccordement du microphone
- 8 Utilisation
- 9 Nettoyage
- 10 Spécifications techniques
- 11 Guide des pannes
- 1 Generalidades
- 2 Declaración de conformidad
- 3 MicroLite: Descripción general
- 4 Micrófonos lavalier
- 5 Micrófonos de oreja
- 6 Micrófonos de diadema
- 7 Conexión del micrófono
- 8 Aplicación
- 9 Limpieza
- 10 Datos técnicos
- 11 Problemas de funcionamiento
MICROLITE MANUAL54
5.2.6 AKG adapter plug 73
5.2.7 Case with window 73
5.3 Attaching the ear hook microphone 74
5.3.1 Attaching the make‑up cover 76
5.4 Using the microphone 76
5.5 Cleaning the microphone 76
6 HEADWORN MICROPHONES 77
6.1 Package content 78
6.2 Accessories 78
6.2.1 Wire‑mesh grill 79
6.2.2 Cable clip 79
6.2.3 Wind screen 79
6.2.4 Make‑up cover 80
6.2.5 Protection against sweat 80
6.2.6 AKG adapter plug 81
6.2.7 Case with window 81
6.3 Attaching the headworn microphone 82
6.4 Using the Microphone 84
6.5 Cleaning the microphone 84
7 CONNECTING THE MICROPHONE 84
7.1 Connecting the microphone to an AKG wireless system 84
7.2 Connecting the microphone to an alternative wireless system 84
7.3 Connection to conventional mixing console
using a cable 85
7.4 Optional accessories 85
7.4.1 Adapter plug for alternative systems 85
7.4.2 Phantom power adapter 86
8 USE 87
8.1 General 87
8.2 Tips for use 87
8.2.1 Positioning the microphone 87
8.2.2 Avoiding disturbances from electrical interference 87
8.2.3 Rotating the phase 88
8.3 Using a lavalier microphone 89
8.3.1 Voice transmission 89
8.3.2 Recording microphone or spot microphone 90
8.3.3 Theater, musical or opera 90
CONTENTS