User guide

TCT50 & 100 Features and Controls
INPUT –
Mono ¼” Jack socket for instrument input. Use
a properly screened “guitar” cable for interconnection.
There are many different makes of guitar cable available,
ranging from fairly inexpensive to very expensive.
Each have different characteristics, and depending on
your particular guitar will give different results, all very
confusing for the inexperienced! For instance, a “cheap”
cable with high capacitance (which would normally be
WHUPHG DV D ³QRWYHU\ JRRG FDEOH´ FDQ DFWXDOO\ EH RI
benefit for an overly bright single coil guitar by taming
the very high end frequencies. Alternatively, a very low
capacitance cable can help brighten up a muddy sounding
hum-bucker type guitar. If possible experiment to try and
find what suits you and your guitar best. Hopefully your
dealer can help you choose the right cable. If using an FX
pedal system then the best advice is to use high quality,
low noise, low capacitance cable from pedals to amp
connection.
CHANNEL & MIX SWITCHING –
the pushbutton
above the INPUT JACK controls which channel you are
using. OUT activates channel A and illuminates A L.E.D.
LQGLFDWRU DQG ,1VZLWFKHV RYHU WRFKDQQHO%DQG WKH %
L.E.D. indicator will come on. When using the remote
IRRWVZLWFK RSHUDWLRQ WKHQ ERWK SXVKVZLWFKHV 0867
be pushed in to engage the footswitch circuit. Push
MIX switch in to combine both channels in a parallel
FRQ¿JXUDWLRQ,Q0,;PRGHDOOFRQWUROVDUHIXQFWLRQDODQG
can be blended in any way you require.
CHANNEL A & B PREAMP CONTROLS –
each
channel has the same independent control line up,
therefore the description below should be read for each
channel.
GAIN –
this control determines the amount of signal that
WKH¿UVWDPSOL¿HUJDLQVWDJHOHWVWKURXJKWRWKHUHVWRIWKH
DPSOL¿HU$OWKRXJKWKLVFRQWUROZRUNVLQFRQMXQFWLRQZLWK
the next DRIVE control, it is pretty straightforward in use
– low settings are clean – mid settings are in the start
of distortion range – and high settings are the overdrive
range.
TIGHT SWITCH –
this switch alters the low frequency
voicing of the input stage from deep low frequency to a
shelved high pass. Experiment with your guitar and style,
but normally when using high gain and high volume then
the Tight switch is usually required.
DRIVE –
the DRIVE control determines the gain and
voicing of the 2nd and 3rd amplification stages. Please
be aware that this control does NOT turn the signal OFF
at zero setting! As with the GAIN control, low settings are
cleaner – mid settings are crunchier – and high settings
are more distorted.
As stated above the GAIN and DRIVE controls work in
conjunction and by so doing a very wide of different gain
levels and voicing’s can be obtained – much more than
amps with just a single gain control. Please experiment;
there is no right or wrong setting, but many different
sounds and voices!
SMOOTH SWITCH –
this switch alters the voicing
associated with the 2nd and 3rd gain stages from bright
and attacking to a smoother less high frequency style.
This can be used to tame very bright distortion pedals, or
for getting warm clean tones for jazz style playing. Again
experiment.
TREBLE, MIDDLE, BASS EQ & SHIFT SWITCH –
as stated above the EQ system is very wide ranging and
very versatile, experimentation is the key – please start
with these controls set to mid position. What is important
to remember is that the EQ circuit is connected before the
gain circuits on channel A, and after the gain circuits on
FKDQQHO%3XWWLQJWKLVDVVLPSO\DVSRVVLEOH WKLVPHDQV
that channel A’s EQ affects the sound of the guitar signal
going into the preamp gain circuits, whereas channel
%¶V (4 DIIHFWV WKH VRXQG JHQHUDWHG E\ WKH SUHDPS
gain circuits. Think of it as channel A has a West coast
86$IODYRXUDQGFKDQQHO% KDV PXFKPRUHRID%ULWLVK
IODYRXU± EXW ZLWK PXFK PRUH RQ RIIHU 7KH6KLIW6ZLWFK
UHFRQ¿JXUHVWKH (4FLUFXLWIRUD GLIIHUHQWPLGIUHTXHQF\
SERIES EFFECTS LOOP
LEVELRETURN SEND
BYPASSLOOP
ROUTE
LOW
HIGH
LOUDSPEAKER OUTPUT SOCKETS
PARALLEL CONNECTED SOCKETS - INTERNAL LOUDSPEAKER = 16ohms
WARNING! DO NOT USE WITHOUT CONNECTING
LOUDSPEAKER LOAD TO AMPLIFIER AND MATCHING
OUTPUT IMPEDANCE TO SPEAKER IMPEDANCE.
16ohm OUT = 1 x 16ohm LS, 8ohm OUT = 1 x 8ohm OR 2 x 16ohm LS
OUTPUT = 35 Watts RMS into 8 or 16 ohms
DO NOT CONNECT ANY UNBALANCED GROUND CONNECTED EQUIPMENT
TO THE OUTPUT OF THIS AMPLIFIER. USE UN-GROUNDED DIFFERENTIAL
MODE ONLY. IF IN DOUBT REFER TO USER MANUAL
35 WATT TWIN CHANNEL VALVE GUITAR AMPLIFIER
FOOTSWITCH
CONNECTOR
8ohm
16ohm
HT FUSE
MAINS INPUT
T315mAL 250VT1.6AL 250V
WARNING! USE CORRECT FUSE ONLY
POWER
MUTE
100% PHASE +
ACTIVE
33% PHASE
-
MAINS
ON
POWER OUTPUT
MASTER REVERB
OUTPUT MIX F'BK
POWER AMP RESPONSE
DEEP EDGE
MIX LOWER
1
2
3
4
6
7
8
9
MIX HIGHER
0
1
2
3
4
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
VOLUME TREBLE MIDDLE BASS DRIVE GAIN
TIGHT
SMOOTH
SHIFT
TIGHT
LOOSE
INPUT
CHANNEL A - PRE EQ
CHANNEL B - POST EQ
A-B MIX
PRESS BOTH
FOR REMOTE
OPERATION
0
1
2
3
4
5
6
7
8
9
10
5
5
A-B/MIX
BALANCE
SERIES EFFECTS LOOP
LEVELRETURNSEND
BYPASS LOOP
ROUTE
LOW HIGH
LOUDSPEAKER OUTPUT SOCKETS
PARALLEL CONNECTED SOCKETS
WARNING! DO NOT USE WITHOUT CONNECTING
LOUDSPEAKER LOAD TO AMPLIFIER AND MATCHING
OUTPUT IMPEDANCE TO SPEAKER IMPEDANCE.
16ohm OUT = 1 x 16ohm LS, 8ohm OUT = 1 x 8ohm OR 2 x 16ohm LS
OUTPUT = 100 Watts RMS into 8 or 16 ohms
DO NOT CONNECT ANY UNBALANCED GROUND CONNECTED EQUIPMENT
TO THE OUTPUT OF THIS AMPLIFIER. USE UN-GROUNDED DIFFERENTIAL
MODE ONLY. IF IN DOUBT REFER TO USER MANUAL
100 WATT TWIN CHANNEL VALVE GUITAR AMPLIFIER
FOOTSWITCH
CONNECTOR
OUTPUT BIAS ADJUST SYSTEM
WARNING! DO NOT REMOVE COVER
8ohm
16ohm
HT FUSE MAINS INPUT
T1AL 250V
T2.5AL 250V
WARNING! USE CORRECT FUSE ONLY
CAUTION! NO USER SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED TECHNICIAN
SERIES EFFECTS LOOP
LEVELRETURN SEND
BYPASSLOOP
ROUTE
LOW HIGH
LOUDSPEAKER OUTPUT SOCKETS
PARALLEL CONNECTED SOCKETS
WARNING! DO NOT USE WITHOUT CONNECTING
LOUDSPEAKER LOAD TO AMPLIFIER
OUTPUT = 200 Watts RMS into 8ohms - 300 Watts RMS into 4ohms
DO NOT CONNECT ANY UNBALANCED GROUND CONNECTED EQUIPMENT
TO THE OUTPUT OF THIS AMPLIFIER. USE UN-GROUNDED DIFFERENTIAL
MODE ONLY. IF IN DOUBT REFER TO USER MANUAL
MAINS INPUT T3.15AL 250V
WARNING! USE CORRECT FUSE ONLY
TUNER
FOOTSWITCH
MUTE
OUT
LINE OUT
GROUND
CONNECT
ISOLATE
300Watt TUBE PRE/BIPOLAR POWER BASS AMPLFIER
WARNING! DO NOT USE LOAD OF LESS THAN 4ohm IMPEDANCE
OPERATING MANUAL AND USER GUIDE
5
TCT 50.indd 8 2011-5-5 18:32:15