Instruction manual
Table Of Contents
- Introduction
- Declarations of conformity
- Safety instructions
- PIKE types and highlights
- FireWire
- Overview
- FireWire in detail
- System components
- Specifications
- PIKE F-032B / F-032B fiber
- PIKE F-032C / F-032C fiber
- PIKE F-100B / F-100B fiber
- PIKE F-100C / F-100C fiber
- PIKE F-145B / F-145B fiber (-15fps*)
- PIKE F-145C / F-145C fiber (-15fps*)
- PIKE F-210B / F210B fiber
- PIKE F-210C / F-210C fiber
- PIKE F-421B / F-421B fiber
- PIKE F-421C / F-421 C fiber
- PIKE F-505B / F-505B fiber
- PIKE F-505C / F-505C fiber
- Spectral sensitivity
- Camera dimensions
- PIKE standard housing (2 x 1394b copper)
- PIKE (1394b: 1 x GOF, 1 x copper)
- Tripod adapter
- Pike W90 (2 x 1394b copper)
- Pike W90 (1394b: 1 x GOF, 1 x copper)
- Pike W90 S90 (2 x 1394b copper)
- Pike W90 S90 (1394b: 1 x GOF, 1 x copper)
- Pike W270 (2 x 1394b copper)
- Pike W270 (1394b: 1 x GOF, 1 x copper)
- Pike W270 S90 (2 x 1394b copper)
- Pike W270 S90 (1394b: 1 x GOF, 1 x copper)
- Cross section: CS-Mount (only PIKE F-032B/C)
- Cross section: C-Mount (VGA size filter)
- Cross section: C-Mount (large filter)
- Adjustment of C-Mount
- F-Mount, K-Mount, M39-Mount
- Camera interfaces
- Description of the data path
- Block diagrams of the cameras
- Sensor
- Channel balance
- White balance
- Auto shutter
- Auto gain
- Manual gain
- Brightness (black level or offset)
- Horizontal mirror function
- Shading correction
- Look-up table (LUT) and gamma function
- Binning (only PIKE b/w models)
- Sub-sampling (PIKE b/w and color)
- Binning and sub-sampling access
- Quick parameter change timing modes
- Packed 12-Bit Mode
- High SNR mode (High Signal Noise Ratio)
- Frame memory and deferred image transport
- Color interpolation (BAYER demosaicing)
- Sharpness
- Hue and saturation
- Color correction
- Color conversion (RGB ‡ YUV)
- Bulk Trigger
- Level Trigger
- Serial interface
- Controlling image capture
- Trigger modi
- Exposure time
- One-shot
- Multi-shot
- ISO_Enable / Free-Run
- Asynchronous broadcast
- Jitter at start of exposure
- Sequence mode
- Secure image signature (SIS): definition and scenarios
- Smear reduction
- Video formats, modes and bandwidth
- PIKE F-032B / PIKE F-032C
- PIKE F-100B / PIKE F-100C
- PIKE F-145B / PIKE F-145C (-15 fps**)
- PIKE F-210B / PIKE F-210C
- PIKE F-421B / PIKE F-421C
- PIKE F-505B / PIKE F-505C
- Area of interest (AOI)
- Frame rates
- Frame rates Format_7
- PIKE F-032: AOI frame rates
- PIKE F-100: AOI frame rates
- PIKE F-145: AOI frame rates (no sub-sampling)
- PIKE F-145: AOI frame rates (sub-sampling)
- PIKE F-145-15fps: AOI frame rates (no sub-sampl.)
- PIKE F-145-15fps: AOI frame rates (sub-sampl.)
- PIKE F-210: AOI frame rates (no sub-sampling)
- PIKE F-210: AOI frame rates (sub-sampling)
- PIKE F-421: AOI frame rates
- PIKE F-505: AOI frame rates
- How does bandwidth affect the frame rate?
- Configuration of the camera
- Camera_Status_Register
- Configuration ROM
- Implemented registers
- Camera initialize register
- Inquiry register for video format
- Inquiry register for video mode
- Inquiry register for video frame rate and base address
- Inquiry register for basic function
- Inquiry register for feature presence
- Inquiry register for feature elements
- Inquiry register for absolute value CSR offset address
- Status and control register for feature
- Feature control error status register
- Video mode control and status registers for Format_7
- Advanced features
- Extended version information register
- Advanced feature inquiry
- Camera status
- Maximum resolution
- Time base
- Extended shutter
- Test images
- Look-up tables (LUT)
- Shading correction
- Deferred image transport
- Frame information
- Input/output pin control
- Delayed Integration enable
- Auto shutter control
- Auto gain control
- Autofunction AOI
- Color correction
- Trigger delay
- Mirror image
- AFE channel compensation (channel balance)
- Soft Reset
- High SNR mode (High Signal Noise Ratio)
- Quick parameter change timing modes
- Parameter-List Update
- Format_7 mode mapping
- Secure image signature (SIS)
- Smear reduction
- User profiles
- GPDATA_BUFFER
- Firmware update
- Appendix
- Index

Description of the data path
PIKE Technical Manual V4.0.0
165
Color correction
Why color correction?
The spectral response of a CCD is different of those of an output device or
the human eye. This is the reason for the fact that perfect color reproduction
is not possible. In each PIKE camera there is a factory setting for the color
correction coefficients, see Chapter GretagMacbeth ColorChecker on page
165.
Color correction is needed to eliminate the overlap in the color channels. This
overlap is caused by the fact that:
• Blue light: is seen by the red and green pixels on the CCD
• Red light: is seen by the blue and green pixels on the CCD
• Green light: is seen by the red and blue pixels on the CCD
The color correction matrix subtracts out this overlap.
Color correction in AVT cameras
In AVT cameras the color correction is realized as an additional step in the
process from the sensor data to color output.
Color correction is used to harmonize colors for the human eye. With other
AVT (color) cameras so far, you had the opportunity to use it or to switch it
off.
PIKE cameras introduce for the first time the so-called color correction
matrix. This means: you are now able to manipulate the color-correction
coefficients yourself.
Color correction: formula
Before converting to the YUV format, color correction on all color models is
carried out after BAYER demosaicing via a matrix as follows:
GretagMacbeth ColorChecker
Sensor-specific coefficients C
xy
are scientifically generated to ensure that
GretagMacbeth™ ColorChecker®-colors are displayed with highest color fidel-
ity and color balance.
These coefficients are stored in user set 0 and can not be overwritten (factory
setting).
Formula 1: Color correction
red* Crr red× Cgr green× Cbr blue×++=
green* Crg red× Cgg green× Cbg blue×++=
blue* Crb red× Cgb green× Cbb blue×++=