User`s guide

ProControl Guide114
DSP Considerations
Creating a discrete, independent stereo cue mix might take
a large amount of DSP mixing power (depending on how
many channels and sends are involved). If necessary, use
the main control room mix for your talent (using the MIX
TO AUX switch). Or, delete the sends after overdubbing,
then use the Save As command to create a new session with-
out the sends cue mix. Open the session without the cue
mix to re-claim the DSP mixing resources.
Using Talkback/Listenback, and
Slate/Dub (Rerecord)
This section explains how to use the CONTROL ROOM
Monitoring features to set up and use talkback/listenback,
cue and dub/slate functions.
Talkback/Listenback
Talkback/Listenback facilitate control room-to-tracking
room communication. Features include:
• A TALKBACK switch, immediately to the left of REWIND.
It works as a momentary-action switch (it is enabled only
when depressed).
• Omnidirectional built-in Talkback mic, located in the
CONTROL ROOM section. The Talkback mic is shock-
mounted to avoid oscillation, rumble or feedback from
physical interaction with the CONTROL ROOM surface.
• TALKBACK level control, located to the left of the mic in
the CONTROL ROOM section.
• Dedicated Slate/Dub output bus for assignment to an in-
put analog-to-digital (A/D) converter of a Pro Tools Audio
Interface (or other recording device).
• Rerecord function for routing the currently selected input
source to the Slate/Dub output bus.
• ProControl Audio Input 1 port includes an EXT. TALK-
BACK input and a LISTENBACK input. There are also level
trim knobs for these optional external mic inputs.
CONTROL ROOM
AUX (5-6)
TALKBACK
MIX TO
AUX
STEREO MIX
SRC 1 (3-4)
SRC2(5
-
6)
TRIM 5
TRIM 6
TALK
BACK
Talkback mic
Level