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THANK YOU Thank you for choosing Analog Way. By following these simple steps, you should be able to operate the powerful PLS300. TABLE OF CONTENTS 1 INTRODUCTION 4 1-1. PLS300 OPERATING MODE 4 1-2. USEFUL TERMS AND DEFINITIONS 4 HARDWARE INSTALLATION 2-1. SAFETY INSTRUCTION 5 5 2-2. UNPACKING AND INSPECTION 10 2-3. RACKMOUNT INFORMATION 10 2-4. CABLE & ADAPTOR INFORMATION 11 2-5.
OPERATING THE PLS300 23 4-1. THE PLS300 FRONT PANEL 23 Overview Standby button Menu section Input selection section Preset selection section PIP button Logo button Freeze button Background Frame button Background Live button Effect selection button Take button 4-2. THE PLS300 MENU 26 Menu navigation Home menu 4-3.
-2. WORKING WITH THE RCS 45 Source input configuration Source output configuration Working with PIPs PIP configuration Working with frames Memorizing frames Working with logos Memorizing logos Layer transitions and effects Working with presets Preset configuration Using presets Working with audio Audio configuration OPTIONAL REMOTE CONTROL SYSTEMS 50 6-1. Axion2 - Ref. ARC200 50 6-2. Orchestra - Ref. ORC50 50 6-3. TRK-800 - Ref. TRK-800 50 6-4. RK-300 - Ref.
INTRODUCTION 1-1. THE PLS300 OPERATING MODE Before you start setting up your PLS300 for the first time, be sure you know what you actually want to do with it. The PLS300 offers a one operating mode, which results in a versatile video production tool for live event staging and fixed installation applications. * NOTE * : W e recommend resetting the device to its default values every time you set up your shows or events. 1-2.
HARDWARE INSTALLATION 2-1. SAFETY INSTRUCTIONS SAFETY INSTRUCTIONS All of the safety and operating instructions should be read before the product is operated and should be maintained for further reference. Please follow all of the warnings on this product and its operating instructions. WARNING: To prevent the risk of electric shock and fire, do not expose this device to rain, humidity, intense heat sources (such as heaters and direct sunlight).
INSTRUCTIONS DE SECURITE Afin de mieux comprendre le fonctionnement de cet appareil nous vous conseillons de bien lire toutes les consignes de sécurité et de fonctionnement de l’appareil avant utilisation. Conserver les instructions de sécurité et de fonctionnement afin de pouvoir les consulter ultérieurement. Respecter toutes les consignes marquées dans la documentation, sur le produit et sur ce document.
INSTRUZIONI DI SECUREZZA Allo scopo di capire meglio il funzionamento di questa apparecchiatura vi consigliamo di leggere bene tutti i consigli di sicurezza e di funzionamento prima dell’utilizzo. Conservare le istruzioni di sicurezza e di funzionamento al fine di poterle consultare ulteriormente. Seguire tutti i consigli indicati su questo manuale e sull’apparecchiatura.
SICHERHEITSHINWEISE Um den Betrieb dieses Geräts zu verstehen, raten wir Ihnen vor der Inbetriebnahme alle Sicherheits und Betriebsanweisungen genau zu lesen. Diese Sicherheits- und Betriebsanweisungen für einen späteren Gebrauch sicher aufbewahren. Alle in den Unterlagen, an dem Gerät und hier angegebenen Sicherheitsanweisungen einhalten. ACHTUNG: um jegliches Risiko eines Stromschlags oder Feuers zu vermeiden, das Gerät nicht Regen, Feuchtigkeit oder intensiven Wärmequellen aussetzen.
INSTRUCCIONES DE SEGURIDAD Para comprender mejor el funcionamiento de este aparato, le recomendamos que le acuidadosamente todas las consignas de seguridad y de funcionamiento del aparato antes de usarlo. Conserve las instrucciones de seguridad y de funcionamiento para que pueda consultarlas posteriormente. Respete todas las consignas indicadas en la documentación, relacionadas con el producto y este documento.
2-2. UNPACKING AND INSPECTION 1 x Pulse (PLS300) seamless scaler/switcher 1 x Power supply cord 2 x DVI male to HD15 female and DVI female cable 1 x HD15 to 5 BNC cable 1 x Ethernet cross cable (for device update) 1 x Set of 3 audio 5 pin screw terminals 4 x M4x12mm Screws 1 x Quick Start Guide (Sticker) WARNING ! If required, front handles of the device can be dismantled, but with caution. The original screws removed must not be reintroduced to their location without handles in place.
2-4. CABLE AND ADAPTOR INFORMATION A large choice of cables and adaptors are compatible with the PLS300. To find which are to be used in your setup, please refer to the Hardware Specifications chapter. Please contact your distributor for a list of available cables and connectors for your PLS300. 2-5. HARDWARE SPECIFICATIONS Input specifications • ANALOG COMPUTER: Connectors: Inputs #1 to #4: female HD15. DVI Inputs #1 to #2: female DVI-I (analog pins).
• HDTV - HD-YUV: Connectors: Inputs #1 to #4: female HD15. DVI Inputs #1 to #2: female DVI-I (analog pins). Formats: 720p/576p (60Hz), 1080i (50/60Hz), EDTV. Levels: Y = 1 Vp/p (0.7 V + sync.). Cr / Pr & Cb / Pb = 1 Vp/p (0.7 V + sync.). Sync.: Tri-level: ±0.3V (positive/negative). Bi-level: 0.3V (negative). Impedance: 75 ohms. • S.VIDEO: Connectors: Standard: Levels: Impedance: Inputs #1 to #4: female HD15. DVI Inputs #1 to #2: female DVI-I (analog pins). PAL/SECAM 15.
Output specifications • ANALOG OUTPUTS Connector: Outputs #1 (Main) & #2 (Preview): female HD15, DVI-I (analog pins). or Resolutions: Format Ratio Available Refresh Rates HDTV 720p 50Hz 59.94Hz 60Hz HDTV 1035i 59.94Hz 60Hz HDTV 1080i 50Hz 59.94Hz 60Hz HDTV 1080p 23.97Hz 24Hz 25Hz 29.97Hz 30Hz 50Hz 59.94Hz 60Hz HDTV 1080sF 50Hz 59.
• DVI (Digital Video Interface) OUTPUTS: Connector: Outputs #1 (Main) & #2 (Preview): female DVI-I (digital pins). Signal: Digital Visual Interface (DVI)-TMDS single link. Resolutions: Format Ratio Available Refresh Rates HDTV 720p 50Hz 59.94Hz 60Hz HDTV 1035i 59.94Hz 60Hz HDTV 1080i 50Hz 59.94Hz 60Hz HDTV 1080p 23.97Hz 24Hz 25Hz 29.97Hz 30Hz 50Hz 59.94Hz 60Hz HDTV 1080sF 50Hz 59.
Communication specifications • COMMUNICATION PORTS: REMOTE RS232 Connector: DB 9 female Level: RS232. Data Rate: 9600 Bauds, 8 data bits, 1 stop bit, no parity bit, no flow control for normal. DTR & RTS needed for upgrade. • LAN: Connector : Protocol: Ethernet: RJ45 TCP (Transmission Control Protocol) or UDP (User Datagram Protocol). Base 10/100 Environmental specifications PHYSICAL Dimensions: W 482 x D 330 x H 45 mm 19”W x 13”D x 1.8”H.
Pin outs • VGA Standard VGA 1- Red 2- Green 3- Blue 4- ID Bit 2 5- Test (Gnd) 6- Red Return 7- Green Return 8- Blue Return 9- No Pin 10- Sync Return • DIGITAL VISUAL INTERFACE DVI Pin 1- TMDS Data 27- DDC Data 2- TMDS Data 2+ 8- Analog Vertical Sync 3- TMDS Data 2 Shield 9- TMDS Data 1- 4- Not used 10- TMDS Data 1+ 5- Not used 11- TMDS Data 1 Shield 6- DDC Clock 12- Not used 11- ID Bit 0 12- ID Bit 1 13- H Sync 14- V Sync 15- ID Bit 3 13- Not used 14- +5V (Po
HDCP compliance If you want to use HDCP (High Definition Copy Protection) content from your sources, be sure pluging HDCP compliant screens or projectors. If it’s not the case, the output image could be disabled.
CONNECTING THE PLS300 3-1. CONNECTING THE PLS300 The PLS300 can be set up with up to 10 different sources, and supports up to 2 digital DVI-D sources, 2 SDSDI sources and 6 analog computer/video sources simultaneously. The versatility of the PLS300 will allow for almost any event configuration and cater for all your projection needs. The intuitive rear panel of the PLS300 will let you set up for the first time quickly and easily. Here is an example of a typical PLS300 setup.
3-2. THE PLS300 REAR PANEL Overview The PLS300 rear panel is equipped with 6 universal digital and analog inputs. Inputs #1 through #4 (4) are universal analog inputs. Inputs #5 & #6 share a DVI-D signal and a universal analog signal (plug the shipped Analog Way DVI/DB15 adaptor cable to use DVI-D and analog signals simultaneously).
Inputs #1 to #6 UNIVERSAL COMPUTER & VIDEO INPUTS: Universal Inputs accept computer sources (RGBHV, RGBS, and RGsB (SOG) signals), standard TV/VIDEO sources (Composite video, S.VIDEO), Component video (YUV, RGBS & RGsB (SOG)), and HDTV sources (480p, 720p & 1080i). HD15: 1 x Universal Analog input on female HD15 connector. COMPUTER SOURCES: The device accepts the following computer signals : RGBHV, RGB/S, and RGsB on inputs #1 to #4 and DVI inputs #1 & #2.
RGBS VIDEO SOURCES: This signal is widely used in broadcasting and is available on European DVD player. The RGB/S signal is transmitted with 4 coaxial cables, and also has a better picture quality than COMPOSITE and S.VIDEO signals. The RGB/S connectors are usually BNC connectors for Broadcasting equipment, and SCART connector for DVD players. For inputs #1 to #5 and #8: connect a HD15 to 4 x BNC cable between the HD15 connector of the device and your RGB/S source.
Main Outputs MAIN OUTPUT: ANALOG: 1 x analog output for the main display device on female HD15 connector. DIGITAL/ANALOG: 1 x main output on female DVI-I connector (simultaneous analog and digital). AUDIO SWITCHER: Audio Stereo Switcher card features 6 inputs and 2 outputs. An additional auxiliary input can be mixed with any other input. Master Volume and individual input level can be adjusted. Each input and output offers balanced or unbalanced connections.
OPERATING THE PLS300 4-1. THE PLS300 FRONT PANEL Overview The highly intuitive front panel of the PLS300 was designed by Analog Way engineers to simply and quickly meet all of your event needs. Within minutes, you will be able to enjoy its full potential and easily parameter most of its functions, without having to be an expert audio-visual engineer, leaving room for what is most important to our users: concentrating on their event.
Standby button The [STANDBY] button allows users to put the PLS300 into sleep mode, and startup again. The [STANDBY] button does not replace the [ON/OFF] switch at the rear of the unit, and is implemented essentially for ease of use in rackmount situations. Menu section The Menu Screen of the PLS300 is the visual interface to your PLS300 menu.
Effect selection button The PLS300 EFFECT SELECTION button is a practical front panel shortcut to the PLS300 Layer Effects menu (Opening and Closing transitions). Preset selection button The PLS300 PRESET SELECTION button is a practical front panel shortcut to the PLS300 Preset menu, and will activate the four available Preset Memories (Input Selection section buttons #1 to #4).
4-2. THE PULSE MENU Menu navigation To access the Pulse menu, press the [EXIT/MENU] button in the control section (4). To highlight items in the menu which will appear on the VFD screen (2), turn the scroll knob (3) left or right to the desired menu item. When you have reached the desired menu item, press the [ENTER] button in the control section (4) to access that menu function. Pressing the [ENTER] button when a selection has been made sets the value to that selection in the Pulse memory.
4-3. WORKING WITH THE PLS300 Reseting default values It is strongly recommended resetting all of the default values of your PLS300 unit before setting up your shows and events. To do so, press the [EXIT/MENU] button and select Control in the menu by rotating the corresponding knob. Then press the [ENTER] button to enter the Control sub-menu. Select Default Values by rotating the scroll knob, and press the [ENTER] button to enter your choice to restart your PLS300 with its factory settings.
Input selection settings 1/ In the MENU section, press the [EXIT/MENU] button and select Input in the menu by rotating the scroll knob. Then press the [ENTER] button to enter the Input sub-menu. 2/ In the Input menu, select the type of input you have plugged into the PLS300 by rotating the scroll knob (see Input Specifications). Then press the [ENTER] button to enter the types of inputs connected to the PLS300. 3/ Press the [EXIT/MENU] button to return to the main menu.
The Output menu also allows you to generate test patterns. The test patterns available through the Output menu let you quickly and reliably setup your projectors. 1/ In the menu section, press the [EXIT/MENU] button and select Output in the menu by rotating the corresponding knob. Then press the [ENTER] button to enter the Output sub-menu.
Working with Frames It is possible to store up to 6 frames in the PLS300 non volatile memory. Frames are mainly used as backgrounds in a typical show or event setup, and can be recorded from any of the PLS300’ 10 sources and called back at the press of a single button. * NOTE * : Frames may be used only one at a time and cannot be placed in a layer. Memorizing Frames 1/ In the Input Selection section, press the source button (#1 to #10) of the source you wish to record as a frame.
Memorizing logos 1/ In the Input Selection section, press the source button (#1 to #10) of the source you wish to record as a logo. The source button will start blinking. 2/ Select the Logos/Frames menu by scrolling through the menu with the scroll knob, then pressing the [ENTER] button. 3/ Select Record Logos in the Logos/Frames menu by rotating the scroll knob, then pressing [ENTER]. A small white rectangle will appear on your main display, indicating the logo that will be captured.
Layer Transitions & effects The PLS300 offers a wide variety of transitions between the scenes you create for your shows and events. It allows for live recall of 4 user presets, each of which you can edit at any given time. Whether catering for complex event setups, or putting together intricate shows, your PLS300 will deliver what you could expect from a dedicated mixer, as well as its switcher and scaler capabilities. 1/ Press the PIP button. The button will start blinking.
Working with Presets The four user presets of the PLS300 can be called back at any stage during your show or event. 1/ Press the [PRESET] button, then press one of the four first Input Selection section buttons to choose which memory (#1 to #4) you wish to use. The preset will be displayed on your preview screen. 2/ Once you have selected your preset, simply press the [TAKE] button to view the result on your main screen.
HOME MENU [MAIN] Format : 1920 x 1080 Internal : 60Hz Current Layer : Live [MAIN] [PREVIEW] Live : Input 3 34 Live : Input 3
INPUT Config status Autoset all Synchronized (i1) displayed when plug is not SDI (i2) displayed when type is analog video (i3) displayed when plug is analog (i4) displayed for input ln1, ln2, DVI1 & DVI2 Analog Group 1 Analog Group 2 Analog Group 3 Input 1 Analog Input 2 Analog Input 3 Analog Input 4 Analog Input 5 Analog Input 6 Analog Input 6 Analog DVI 1 DVI 2 SDI 1 SDI 2 Type (i11) Autoset (i11) Enabled Audio input (i10) displayed when plug is DVI-D (i11) displayed when plug is analog Input 1
MAIN OUT PREVIEW OUT Sync w/OUT 1 (o1) Output status Output format Output rate Out Sync Polarity HDTV HDTV HDTV HDTV HDTV 640x480 800x600 848x480 1024x768 1280x720 1280x768 1280x800 1280x1024 1360x768 1366x800 1400x1050 1440x900 1600x1200 1680x1050 1920x1080 1920x1080 1920x1080 1920x1080 1920x1200 2048x1080 720p 1035i 1080i 1080p 1080sF 4/3 4/3 16/9 4/3 16/9 15/9 16/10 5/4 16/9 15/9 4/3 16/10 4/3 16/10 16/9 HD B C 16/9 19/10 Internal ref 23.
PRESET Preset Layouts Step Back Save Preset Load Preset IMAGE (A3) Default Bkgnd + TL Pip Bkgnd + TR Pip Bkgnd + BL Pip Bkgnd + BR Pip 2 Pip H Split 2 Pip V Split Save from Main Preview Save to Memory 1 Memory 2 Memory 3 Memory 4 Save from Main Preview Save to Memory 1 Memory 2 Memory 3 Memory 4 Auto Centering (R1) Blanking Adjust (R2) (A3) displayed when an input is active (selected) H position V position H size V size... Cropping (R2) H position V position H size V size...
LAYER (A3) Layer adjust (b1) H Pos V Pos HV Pos HV Size (b2) H Size (b2) V Size (b2) Layer zoom (b3) H Pos V Pos H Size V Size Size templates (b3) (b1) Not available for Background Frame & Live (b2) Not available for Logos (b3) Not available for Frames & logos (b4) Only for Slide, Wipe (b5) Only for Wipe Full Screen 3/4 Full Screen 2/3 Full Screen 1/2 Full Screen 1/3 Full Screen 1/4 Full Screen Transparency Border (b3) Opening effect Style None Edge Adjust H Size V Size Transparency Color Type
LOGOS/FRAMES Capture source Main Preview Record Frames Frame 1 Frame 2 (Empty) (lf1) Frame 3 Frame 4 Frame 5 (Empty) (lf1) Frame 6 Record Logos Erase (lf1) Empty if slot is free for a Frame (lf2) Empty if slot is free for a logo (lf3) Displays only list of valid Frames and Logos (lf4) Displays according to the keying Type chosen Position / Size Adjust H pos V pos H size V size Keying type None Luma Chroma Luma key (lf4) Level black Level white Chroma key (lf4) Color grabber H position V posi
AUDIO Mode Breack away TopLayer follow Source settings Input 1 Input 2 Input 3 Input 4 DVI 1 DVI 2 SDI 1 SDI 2 Aux. settings Level Balance Audio Main Level Balance Master Mute Master Volume Stereo Audio Delay Audio Prelist (m1) Master Mute Master Volume Stereo Source None Input 1 Input 2 Input 3 Input 4 DVI 1 DVI 2 SDI 1 SDI 2 Aux.
Sync.
REMOTE CONTROL SOFTWARE 5-1. THE PULSE RCS RCS presentation Your Pulse is shipped with a Windows compatible control software. The RCS software allows you to control your PLS300 in exactly the same way as with the front panel of the device, only using your PC as a remote. ! Not compatible with Apple computers How to use the RCS ? You have to install the software on a Computer (Windows based only) and have a LAN board or RS-232 link to use the RCS.
Software overview The RCS software for your PLS300 is composed of several easily identified sections. The tabs menu (1) allows you to navigate through the equivalent of the PLS300 front panel menu items (see also “The PLS300 Menu”). The green window of the RCS (2) represents your Preview window, and can be used to parameter sources, frames, layers and logos directly by clicking on the corresponding button, then navigating through the different available tabs.
Serial connection 1/ Connect a DB9 M/F straight cable between the PLS300 and your PC, then power on your devices. 2/ Click on the RCS program file on your PC to run the software. 3/ Click on the “Connections” tab and select RS232 as the connection type. In the drop-down menu, select the COM port number corresponding to the connected device (default is Port 1). 4/ Click apply, and wait for devices to synchronize.
5-2. WORKING WITH THE RCS Source input configuration Once your PLS300 is wired up to your PC, the first step in properly configuring your machine is to individually select and parameter your inputs. 1/ Click on the “Inputs” tab of the RCS. 2/ Activate the input in the Enabled column if it is not. 3/ In the scroll-down menu of the Type column, select the signal type connected to that input. 4/ Repeat steps #2 to #4 for all sources connected to the rear panel of your PLS300.
PIP configuration 1/ Click on the Image tab of the RCS interface. The empty Image screen will appear on screen. 2/ By clicking on the drop-down menu in the Preview section, situated next to the layer you wish to use as a PIP, you will access the image parameters of the PIP source you select (#1 to #10). 3/ Set the desired PIP attributes (size, position, zoom, border, transparency...). 4/ Click the Image tab to return to the main screen.
Working with logos It is possible to store up to 6 logos in the PLS300 non volatile memory. Logos work in much the same way as frames, and can be recorded from any of the PLS300’ 10 sources. Logos have more attributes than frames. They can be sized, positionned, but also keyed via color cutout selection or luma key. Memorizing logos 1/ In the Input Selection section, click the source button (#1 to #10) of the source you wish to record as a logo. Press [TAKE] to display the input on the Main display.
Creating presets The PLS300 allows the creation of user defined presets very easily. Any setup you have configured on screen, can be stored into one of the 4 available user presets. 1/ After having configured layers, PIP transitions, logos... on your screen (see “Working With the RCS” chapter, p. 44), click on one of the four available Preset buttons. 2/ In the dropdown menu, choose Save From Main or Save From Preview to determine which screen you want to memorize the preset from.
Audio Configuration To configure audio settings of the PLS300, plug all audio inputs into the device, and click on the Audio tab of the RCS home page. 1/ Set the Main audio output level and delay (accessible only if Delay Mode is set to Manual Adjust, see also the “Audio Configuration” chapter, page 32), or click the Mute button to mute Main audio output. 2/ Individual source settings (level and balance) for each audio input can be configured in the right hand section of the Audio tab.
OPTIONAL REMOTE CONTROL SYSTEMS 6-1. Axion2 Axion2: The Axion2 is an ergonomic and reliable remote controller for rental & staging/multi-venues at an optimal price/performance ratio. It controls simultaneously up to 6 screens in a single or multiple display configuration. The Axion2 integrates a offline mode for setup the devices not connected. A sequences mode is also available for automatic recall of presets. 6-2.
EXAMPLES AND TIPS 7-1. ABOUT EXAMPLES Application examples are intended to make the use of the PLS300 as easy as possible, by providing visual help in setting up your equipment. In an effort to make the use of our machines the most pleasant experience possible, the Analog Way team is constantly aiming to create easy to follow examples, update information, and furnish our website with useful user information. Please check on www.analogway.com 7-2.
7-3. EXTERNAL PROGRAMMING If you need to use your own Software Control program from a PC or automation, the device allows communication through an ASCII code protocol. All commands can be found on www.analogway.com, in the [Technical Support] menu, [User’s Manuals] menu. All Analog Way products equipped with an RS232 input are compatible with Crestron, AMX, Medialon, and most major control systems. TCP/IP control ports are also available on most Analog Way products, as standard or as options.
WARRANTY 8-1. ANALOG WAY LIMITED WARRANTY All Analog Way products have a 3 year warranty on parts and labor, back to factory. This warranty does not include faults resulting from user negligence, special modifications, electrical surges, abuse (drop/crush), and/or other unusual damage. 8-2. SERVICES AND RMA In the unlikely event that a product is required to return for repair, please call the regional Maintenance center / Customer Service, and ask to receive a Return Material Authorization number (RMA).
CONTACT INFORMATION HOW TO CONTACT US Analog Way SAS 33 rue du Saule Trapu Parc du Moulin 91300 Massy France Tel.: +33 1 64 47 16 03 Fax: +33 1 64 47 14 73 saleseuro@analogway.com Analog Way Inc. 299 Broadway, Suite 1620 New York, NY 10007 United States of America Tel.: +1 212 269 1902 Fax. +1 212 269 1943 salesusa@analogway.com Analog Way Pte Ltd. No. 10 Ubi Crescent #03-05 Ubi Techpark Lobby A Singapore 408564 Tel.: +65 6292 5800 Fax: +65 6292 5205 sales@analogwayasia.
Version : 4.00 - 25/01/2012 Code : 140107 Designs and specifications are subject to change without notice The illustrations and screens described in this manual may be exaggerated or simplified for easy recognition and may be slightly different from the actual unit.
