User Manual

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Saphyr

Ref. SPX450

USER MANUAL

Summary of content (103 pages)

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USER MANUAL Saphyr Ref.
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THANK YOU By following these simple steps you will be able to obtain the most from your powerful Saphyr and its many features. 1. TRADEMARKS 7 2. INTRODUCTION 7 3. TERMS AND DEFINITIONS 8 4. HARDWARE SPECIFICATIONS 9 4.1 Safety instructions 9 4.1.1 English 4.1.2 French 4.1.3 Italian 4.1.4 German 4.1.5 Spanish 4.2 Unpacking and inspection 4.3 Rack mount information 4.4 Cable and adaptor information 4.5 Hardware specifications 14 14 15 15 4.5.1 Signal descriptions 4.5.
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.10 HDCP management 23 4.10.1 Input HDCP detection 4.10.2 Output HDCP detection 4.10.3 Keys’ checking 4.10.4 Output management 4.10.5 HDCP Classification 4.10.6 Status 5. CONNECTING THE SAPHYR 5.1 Description 24 24 5.1.1 Rear panel 5.1.2 Front panel 6. CONTROLLING THE SAPHYR 6.1 RCS² requirement 6.2 Connecting with the RCS² 6.3 RCS² top menu 26 26 26 28 6.3.1 Setup 6.3.2 Edit 6.3.3 Live 7. OPERATING THE SAPHYR FROM THE RCS² 7.1 Operating mode 7.2 Setup 29 29 29 7.2.1 Mode 7.2.2 Audio 7.2.
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8. OPERATING THROUGH THE FRONT PANEL 8.1 Front panel 49 49 8.1.1 Menu navigation 8.1.2 Home menu 8.1.3 Operating modes 8.1.4 Reseting default values 8.1.5 Saphyr color codes 8.2 Settings in Mixer mode 50 8.2.1 Source Input selection 8.2.2 Input selection settings 8.2.3 Source Output selection 8.2.4 Output selection settings 8.2.5 Preview features 8.2.6 Preview mode and OSD settings 8.2.7 Preview Id 8.2.8 How to use the Mosaic Preview feature 8.2.9 Working with layers 8.2.
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8.3.10 Working with frames/logos 8.4 Menu tree 9. MAINTENANCE AND SUPPORT 9.1 Dashboard (RCS²) 10. APPLICATIONS NOTE AND TIPS 10.1 HDCP 11. WARRANTY 11.1 Warranty conditions 11.2 Repair and return instructions 11.3 Return conditions 70 97 97 98 98 99 99 99 99 12. CONTACT INFORMATION 100 13. APPENDICES 101 13.1 Crestron 2&3 series Midra™ Driver 13.
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1. Trademarks 1. TRADEMARKS The terms HDMI, HDMI High-Definition Multimedia Interface and the HDMI logo are trademarks or registered trademarks of HDMI Licensing LLC in the United States and other countries. 2. INTRODUCTION Thank you for choosing the Analog Way Saphyr. Before you start setting up your Saphyr for the first time, please read through all of the documentation to become familiar with its powerful features.
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3. Terms and definitions 3. TERMS AND DEFINITIONS BACKGROUND: a “Background” is a source, typically originating from a computer. Saphyr enables you to work with still (frame) background — visually in back of all other sources. LAYER: a “layer” is an image display element (such as a PIP window, Key, logo or Background) that has a visual priority — either in front (or in back) of another layer. 1 frame non-resizable, up to 4 live layers resizable and 2 logos available on the Saphyr.
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4.1.1 English 4. HARDWARE SPECIFICATIONS 4.1 Safety instructions 4.1.1 English All of the safety and operating instructions should be read before the product is operated and should be maintained for further reference. Please follow all of the warnings on this product and its operating instructions. • WARNING: To prevent the risk of electric shock and fire, do not expose this device to rain, humidity or intense heat sources (such as heaters and direct sunlight).
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4.1.2 French 4.1.2 French Afin de mieux comprendre le fonctionnement de cet appareil nous vous conseillons de bien lire toutes les consignes de sécurité et de fonctionnement avant utilisation. Conservez les instructions de sécurité et de fonctionnement afin de pouvoir les consulter ultérieurement. Respectez toutes les consignes marquées dans la documentation, sur le produit et sur ce document.
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4.1.3 Italian 4.1.3 Italian Allo scopo di capire meglio il funzionamento di questa apparecchiatura vi consigliamo di leggere bene tutti i consigli di sicurezza e di funzionamento prima dell’utilizzo. Conservare le istruzioni di sicurezza e di funzionamento al fine di poterle consultare ulteriormente. Seguire tutti i consigli indicati su questo manuale e sull’apparecchiatura.
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4.1.4 German 4.1.4 German Um den Betrieb dieses Geräts zu verstehen, raten wir Ihnen vor der Inbetriebnahme alle Sicherheits und Betriebsanweisungen genau zu lesen. Diese Sicherheits- und Betriebsanweisungen für einen späteren Gebrauch sicher aufbewahren. Alle in den Unterlagen, an dem Gerät und hier angegebenen Sicherheitsanweisungen einhalten. • ACHTUNG: um jegliches Risiko eines Stromschlags oder Feuers zu vermeiden, das Gerät nicht Regen, Feuchtigkeit oder intensiven Wärmequellen aussetzen.
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4.1.5 Spanish 4.1.5 Spanish Para comprender mejor el funcionamiento de este aparato, le recomendamos que le acuidadosamente todas las consignas de seguridad y de funcionamiento del aparato antes de usarlo. Conserve las instrucciones de seguridad y de funcionamiento para que pueda consultarlas posteriormente. Respete todas las consignas indicadas en la documentación, relacionadas con el producto y este documento.
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4.2 Unpacking and inspection 4.2 Unpacking and inspection • 1 x Saphyr (SPX450) • 1 x Power supply cord • 1 x Ethernet cross cable (for device update) • 1 x Remote Control Software (RCS²)* • 1 x Set of 6 audio 5-pin screw terminals • 1 x Front rack ears (the parts are stowed in the packaging foam) • 1 x User manual (PDF)* • 1 x Quick start guide* * User manual, quick start guide and the RCS² are available on www.analogway.
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4.4 Cable and adaptator information 4.4 Cable and adaptor information A large choice of cables and adaptors are compatible with the Saphyr. Please refer to the hardware specifications chapter to find the most suitable cables for your operations. 4.5 Hardware specifications 4.5.1 Signal descriptions For each type of signal, here are the levels and the impedance accepted by the Saphyr. Analog SDTV Digital SDTV Type Levels Impedance Type Characteristics Composite 0,7 Vpp + 0,3 Vpp 75 Ω SD-SDI S.
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4.5.2 Supported video formats Analog computer Digital computer Type Levels RGsB R = 0,7 Vpp G = 0,7 Vpp + 0,3 Vpp B = 0,7 Vpp 75 Ω R, G, B = 0,7 Vpp R, G, B = 75 Ω RGBS RGBHV Impedance Type Characteristics DVI RGB – 8 bits – 4.4.4 – 0/255 - TMDS HDMI® RGB or YUV – 8 bits – 4.4.4 or 4.2.2 – 0/255 – TMDS S = 0,3 Vpp 75Ω or S = TTL R, G, B = 0,7 Vpp R, G, B = 75 Ω H = TTL and V = TTL 4.5.
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4.5.5 Output computer formats 4.5.5 Output Computer formats The Saphyr outputs support GTF (version 1.1), CVT (version 1.1) and DMT (version 1.0 rev 12) standards. Other non-standard formats are supported via the custom format capability of the framework. The Saphyr offers a list of pre-defined output formats. The list of output formats is always displayed from increasing number of pixels per line and then number of lines.
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4.6 Input specifications The Saphyr uses an HDMI plug with a standard mounting screw above the connector. Please see the diagram below. This hole is occupied by a Torx10 screw when you receive the unit. If desired, this screw can be removed and replaced by a compatible aftermarket HDMI plug locking mechanism to ensure a secure HDMI connection. This threaded hole should not be left empty.
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4.
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4.7.2 Video output Please see the formats available on the output: Output Type Format Signal Analog Computer/Video Ouput HDTV Computer Analog HDTV Analog Computer DVI-I Output HDTV Computer Digital HDTV Digital Computer Please note that SDTV and EDTV are not available on the standard output but only on the video output module. 4.7.2 Video output The Saphyr has one video output. This video output contains: - 3G/HD/SD-SDI (BNC), - Analog SDTV (4 × BNC: Composite, YC, YUV, RGBS).
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4.8.2 LAN interface 4.8.2 LAN interface A standard LAN interface is available through a RJ-45 connector - It permits controlling the device - It permits transferring configuration - It permits connectivity with the RCS² application - It permits updating the device 4.8.2.1 Protocol Protocol Availability TCP Yes UDP Yes 4.8.2.2 IP address Address allocation Availability Static user defined address Yes Default IP address: 192.168.2.
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4.9 Environmental specifications 4.9 Environmental specifications Dimensions: Weight:  D 15.75’’x W 19’’ x H 3.46’’ with rack mount and handles D 400 mm x W 483 mm x H 88 mm  6,3kg / 13.9 lb (Compatible with a Standard 19” rack, Height = 2 U) D 14.17’’x W 17.3’’ x H 3.46’’ without rack mount and handles D 360 mm x W 440 mm x H 88 mm • Cooling air flows from right side to left side. • Max ambient operating temperature: < 40°C (< 104°F).
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4.10 HDCP management 4.10 HDCP management 4.10.1 Input HDCP detection The input HDCP detection is managed by the input components according to HDCP specification. 4.10.2 Output HDCP detection The Saphyr manages the output HDCP detection according to one of the following criteria: - Hot plug, - 3-second period attempt. 4.10.3 Keys’ checking Keys’ checking is performed according to the most restrictive condition among the 2 following ones: - Every 2 seconds - Every 128 frames 4.10.
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5.1.1 Rear panel 5. CONNECTING THE SAPHYR 5.1 Description 5.1.1 Rear panel 1 2 8 3 4 9 5 10 6 11 12 13 7 14 1. Power supply: 100-240 VAC 2.5A 50/60HZ / FUSE F4A 250 VAC; internal, autoswitchable; 110W 2. 3G/HD/SD-SDI: inputs #1 to #4 3. S/PDIF: audio inputs #1 to #2 4. MCO male connector: for audio inputs (balanced) #1 to #4 5. MCO male connector: for audio outputs (balanced) #1 to #2 6. S/PDIF: audio outputs #1 to #2 7.
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5.1.2 Front panel 5.1.2 Front panel 1 7 2 8 3 9 4 5 6 10 12 11 13 14 1. Front panel display: 4-line VFD 2. Menu scroll knob 3. Layer selection: - Frame: un-scaled layer for still frames - Layer A/B/C: scaled positionable layers for live sources - Logo 1/2: un-scaled, positionable layer for still logos 4. Matrix mode: #1 to #2: select the output #1 or #2, a layer and a source, then press TAKE 5. Adjustment: adjust layer or logo position, size active layer, zoom active layer 6.
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6.1 RCS² requirement 6. CONTROLLING THE SAPHYR The Saphyr can be controlled and operated either via the Front Panel, from your computer via the RCS², or via one of our Event Controllers. (Control of the Saphyr can also be integrated into automation and control systems, contact your local technical support for more details.) 6.
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6.2 Connecting with the RCS² Enter the IP address of the device and then the remote port. Click on SET AS DEFAULT if you want the software to remenber your configuration. Click on Connect to start the connection. Once connected, you have access to this screen: In case of difficulties: - Verify that you are using the correct network cable and that it is free from defects. (Crossover or straight cable as required.) - Check the IP address of both the device and the computer.
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6.3 RCS² top menu 6.3 RCS² top menu 6.3.1 Setup The Setup page is where you will review and modify the device configuration, such as output resolutions, input settings, and more. 6.3.2 Edit The Edit mode is the place where you will manage preset creation. You will make input selections, manage your inputs, adjust the layer attributes such as size, position, effect, etc. You can save all your screen configurations into presets, as well as review and recall them on each individual screen. 6.3.
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7.1 Operating mode 7. OPERATING THE SAPHYR FROM THE RCS² 7.1 Operating mode Before you start setting up your Saphyr for the first time, take some time to think about how you will be using it. The Saphyr offers a choice of two operating modes, which results in a versatile video production tool for live event staging and fixed installation applications. NOTE: We recommend resetting the device to its default values every time you set up your shows or events. 7.
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7.2.2 Audio Matrix mode This mode turns your Saphyr into a true 10 x 2 scaled matrix, while preserving seamless switching capabilities. Program 1 and Program 2 outputs can be set to different resolutions and rates. Switching between any of the inputs can be done with the various effects (Cut, Fade, Slides…) and synchronized on both outputs. 7.2.2 Audio In this section, you will setup the audio of your device, you have several modes.
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7.2.3 Screens 7.2.4 Preview Into the PREVIEW section, you have the possibility to choose your PREVIEW mode: Click on Mosaic to have a Mosaic Preview of all your inputs. Click on Preview to simply have the standard Preview with all layer size and position. Remember that only 1 layer at the time can be display on the Preview. PRESET ASPECT: disabling this option disable the Preview indications on your Preview monitor, such as the blinking layer wireframe, and source number.
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7.2.6 Output management 7.2.6 Output management Into the output section, you will be able to manage your output resolutions, formats, sync types, test patterns, etc. On the SETUP > OUTPUT TAB, the following screen will appear: A short summary of each output settings appears on the main page. You can see the number of outputs, their resolution, rate and HDCP status. Select an output to adjust by either clicking on it from the column on the left, or clicking the configuration cog icon for that output.
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7.2.7 Input management Custom format The device offers the possibility to create your own output format: Choose CVT mode (restricted settings) or FULL mode (full settings) and start to create your format by adjusting the Horizontal Vertical pixels, frame rates and reduced blanking. Click on CHECK to verify if your format is a valid signal. You can SAVE and LOAD your Custom format. 7.2.7 Input management Once your outputs are configured, you have now to configure the inputs connected to your device.
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7.2.7 Input management - STATUS: format and size of the input, - CONTROL: Black: select Black to transform your input in a uniform color, Freeze: use this button to freeze the specific input, - EDID: choose the EDID for the selected plug. Under the HDCP section, you can: - Enable/disable the HDCP communication feature - Read the HDCP status, If the HDCP status says Active, this output connection is currently utilizing HDCP to protect the signal.
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7.2.7 Intput management Under the ASPECT RATIO section: - ASPECT IN: forces a particular aspect ratio for the source. (5:4, 4:3, etc). This setting has no effect when set to native, - PREDEFINED CROP: choose a specific cropped ratio if you use a source with black bands on top/bottom or left/right, - ASPECT OUT: define the way the image will be displayed into a layer (full screen, centered, cropped or 1:1), - OVERSCAN: choose to apply or not a predefined zoom on the image (use with video signal).
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7.2.8 Logo management Keying setup can be done either by setting directly color references and tolerances or by using the color grab assistant. - INVERT BUTTON: at any time you can choose to invert the actual keying using this button. DSK TITLING: after your keying, the DSK titling feature allows you to play with the transparency of your deleted pixels. Enabling this, simply adjust the opacity settings to make your keyed pixels less or more dark.
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7.2.9 Video out Select the area you want to save using the adjustable white square. Once it is ok, simply click on execute to save the logo. How to save a frame: Choose first Program or Preview, click on FREEZE if you want to freeze your output. Then click on EXECUTE to save your frame into the selected slot. 7.2.9 Video out Into this section, choose the output format of the video output. You will find the status of your output and the possibility to choose the test pattern.
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7.2.10 Audio management 7.2.10 Audio management The audio section permits the management of level, balance, and other audio settings for each input. Before modifying the audio settings, be sure to check the audio input mapping. Each video input has one audio source mapped to it. The audio mapping configuration is found under Menu > Inputs > each input. Into the AUDIO SETTINGS: To display only the Current audio input which is played, click on Current button.
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7.2.10 Audio management To setup your analog audio input, simply click on “ON PRELIST”, if you have a Preview output, the audio input will be played on it. Then adjust the GAIN from -11 to +6dB. A red indicator light will be displayed if you reach the input clip. If the input clip light is being illuminated, it means that the input gain is too high and the signal is being distorted. To solve this issue, decrease the gain value. The 0dB corresponds to a +4dBu signal in input.
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7.2.11 Service management 7.2.11 Service management Into the service section, you will find tools to warn you if the unit has a problem. Under TEMPERATURE, there is the alarm tab. If any fan FPGA or board are faulty, it will be displayed. TECHNICAL SUPPORT: Display the different technical support contacts depending on your area. 7.2.
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7.3.1 Layer management 7.3 Edit 7.3.1 Layer management When you enter into the Edit menu, you will encounter by default this window. On this example, we have the Screen 1 Program and the Screen 1 Preview. The following example can be applied for any other output configurations. To display an input into one of the available layers A, B or C, simply drag and drop the input from the left column to the layer on the chosen screen. You can assign or change the inputs directly on Program as well as Preview.
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7.3.2 Layer adjustments In this example, 3 inputs are affected to 3 layers into the Screen 1 Preview. The TAKE button on the bottom right side allows sending your configuration, made on the Preview screen, to the Program screen. With each press of the TAKE button, the Preview screen is transitioned to the Program screen. By default, PRESET TOGGLE mode is disabled. That means, after a TAKE, the Preview stays as it was before. The Program and Preview will have the same content.
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7.3.3 Effects Position/Size Adjust the size horizontally (X) or vertically (Y), then adjust the width and the height of your layer. You can use the cursor or directly enter a value. To keep the aspect ratio by using the cursor, please enable the KEEP ASPECT RATIO button. You will find it on the right of the width and height cursors. Transparency Use the Transparency to give at your layer a transparent effect.
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7.3.4 Background frame Layer layout The layer layout gives you access to several predefined layouts with 3, 2 or 1 PIP already sized and placed into the output. It can help you to quickly set up 3 PIPs side by side for example. (Number of layers depends on the used mode.) Once clicking on the layout button, you have access to the presets with 3, 2, 1 PIPs or all layouts.
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7.3.
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7.3.5 Preset load and save management Load a preset To recall a previously saved preset, click the Load button (on the right side of each screen) and select a preset to load. Reset button You can reset a screen using the reset button. Using that, all sizes and positions will be deleted. Your layers will be reset. If the «HIDE UNUSED LAYERS» button is enabled and all of your layers are empty and hidden, you can still access the layers using the layer icons on the left side of each screen.
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7.4 Live 7.4 Live The Live mode is designed for easy live operation of the device after you have created some presets. On the right, you will find all your saved presets under the tab called “MASTER MEMORIES”. A simple drag and drop on the screen will load your preset into the screen (Program or Preview). If you want to change an input into your preset into the live mode, simply use the left source ribbon and drag and drop your input into a layer.
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7.4 Live When you use several screens, you have the possibility to load a preset on one or several screens. To TAKE only one screen separately, select which screens should be affected by the TAKE using this button: SEQUENCE: The sequence feature consists on a timeline composed by 16 scenes. Each scene can be filled by a preset memory. Simply click on MM to choose the memory slot you want to put into the scene.
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8.1.1 Menu navigation 8. OPERATING THROUGH THE FRONT PANEL 8.1 Front panel 8.1.1 Menu navigation To access the Saphyr menu, press the EXIT/MENU button in the control section. To highlight items in the menu which will appear on the VFD screen, turn the scroll knob left or right to the desired menu item. When you have reached the desired menu item, press the ENTER button in the control section to access that menu function.
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8.1.4 Reseting default values 8.1.4 Reseting default values It is strongly recommended resetting all of the default values of your Saphyr unit before setting up your shows and events. This will help eliminate confusion caused by unneeded settings from a previous operator. To do so, press the EXIT/MENU button and select Control in the menu by rotating the corresponding knob. Then press the ENTER button to enter the Reset/Erase sub-menu.
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8.2.2 Input selection settings You can find several settings for each input (some settings are specific to some signal type): - INPUT STATUS: display the input status, - AUTOSET: launch an automatic setup on the inputs, - FREEZE: freeze the input, - ACTIVE PLUG: choose the active plug of the input, - TYPE: to set up your input type (Computer, Video etc..
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8.2.4 Output selection settings - HDCP DETECT: enable or not the HDCP detection on the output, - CENTERING PIC: display the centering test pattern, - TEST PATTERN: choose to display one of the available test pattern. All changes have to be validated by pressing the ENTER button in order to be saved NOTE: The output status can provide you all information about the output in real time. This feature is particularly needed when HDCP is used with long cable to be sure that the communication is well handled.
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8.2.8 How to use the Mosaic Information Availability Name of input YES Displaying (Green: Preview - Red: Main - Grey: No source) YES Resolution if recognized input YES Line frequency if recognized input YES HDCP YES Keying YES Enable YES Freeze YES 8.2.8 How to use the Mosaic Preview feature The Mosaic Preview displays all inputs on one screen with live information about the input status. 8.2.
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8.2.10 Working with layers functions 8.2.10 Working with layers functions Once a source is assigned to a layer, you will have access to some layer settings in the Layer menu or directly by pressing the layer button. The settings available depend on the layer selected: - Layer adjusts: set up layer size and position, - Layer zoom: set up layer zoom size and position, - Size Templates: adjust a specific size (Fullscreen, 1/2, 1/3, ...
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8.2.12 Layer adjustment menu • TAKE 2 - shot: Case #2 - There are enough scalers for making a transition - All inputs are locked on to scalers before the TAKE - There are no constraints for closing during the TAKE - All the necessary closing transitions are performed to free occupied scalers and then the Saphyr performs all openings (for example, when a frame or a logo needs to be changed, except with Cut effect).
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8.2.13 Layers with transitions & borders - WIPE: • Numerous wipes can be selected horizontal and vertical, from the center or outside, in circle, Zoom in and out, • Horizontal: from left, center -or- vertical: from up, down, center, - SLIDE: • Sliding of video or computer images during the transition, • Horizontal: from/to left, right -or- vertical: from/to up, down. A The Saphyr offers 33 seamless transition effects including 31 options, in addition to a dissolve (fade) and a cut effect.
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8.2.14 Capturing frames - BORDER: The border has to be setting up in the Layer Menu: Press Layer# button > go in border menu > select and set your border with color and size Press TAKE to view the result on the Program screen. NO BORDER EDGE BORDER SHADOW BORDER (4 possible orientations) • A transparency can be applied to the shadow border • Size and style of layer border are adjustable 8.2.14 Capturing frames It is possible to store up to 8 frames in the Saphyr non volatile memory.
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8.2.15 Working with frames Attempting to use a frame at a different resolution will result in a partial frame display or a frame which does not fill the screen. During the capture, the output is outlined by a white border and includes the pixels into the white rectangle. 8.2.15 Working with frames Frames are mainly used as backgrounds in a typical show or event setup, and can be recorded from any of the Saphyr 10 sources and called back at the press of a single button.
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8.2.19 Layer transitions & effects 2. In the Layer Selection section, press the Layer A button. The button will start blinking. On your Preview screen, Layer A will appear as a color rectangle. The parameters of the layer will automatically appear on your Saphyr VFD menu screen. 3. In the Layer Menu, make the position, size, border and transparency settings you like, then select Opening Effect in the layer options, press the ENTER button and select Type.
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8.2.21 Capturing an animated logo NOTES: • The cut out color is only a visual tool to help identify the transparent areas of the logo. These colored regions will not be captured but later displayed as transparent area. • Capturing a “logo” is limited to a small percentage of the output resolution. To capture and display a full screen image, use the still “frame”. 8.2.
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8.2.25 Creating presets 2. In the sub-menu, choose Save From Program or Save From Preview to determine which screen you want to memorize the preset from, then set the preset memory (#1 to #8) you wish to use as your “User Preset” (by default, the Saphyr will choose the next available preset in the Saphyr memory). By pressing the ENTER button, the Saphyr will ask you to confirm. Select Yes, your screen is memorized as a preset. 8.2.
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8.2.28 Special features 8.2.28 Special features - DYNAMIC FIT (automatically activates the transparent background) • Automatic adjustment of the layer (Ratio) to fit the source image borders during a transition. Layer • Dynamic & Automatic adjustment of the layer to fit the source image borders (Black Stripe). Frame Image live - SMOOTH MOVE EFFECT • Smooth Move layer control the acceleration of the layer.
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8.2.28 Special features • Background is removed and replaced by another source, • Title can be keyed (DSK) on Analog or Digital Sources. To use keying, first select a source in the desired layer: Layer button > source number button Then in the main menu, select the Keying/Titling menu. You now have several choices to key your sources.
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8.2.28 Special features For Chroma Key: Chroma Keying is used to key from a particular color. It produces a key which is most suitable for moving images and “weatherman” style applications. - Color grabber: Select Chroma Key menu > Select Color grabber menu Using a crosshair, you can select a particular hue based on what is on screen. Once you have adjusted the crosshairs to a desired position, press set/enter to capture the color value at that instant.
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8.3.1 Source Input selection 8.3 Settings in Matrix mode In all conditions, the second live layer (layer B) will have the keying functions enabled. You can not disable it. Please refer to the keying chapter to know how to adjust the keying settings. 8.3.1 Source Input selection Same as Mixer mode 8.3.2 Input selection settings Same as Mixer mode 8.3.
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8.3.6 Working with native Matrix mode NOTE: The output status can provide you all information about the output in real time. This feature is particularly needed when HDCP is used thanks to the HDCP status.
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8.3.8 Working with presets in Matrix mode The Saphyr has 4 scalers, to understand how your effect will be performed, you need to know how many scalers are used on your outputs. Don’t forget that you always need one free scaler to perform seamless transitions.
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8.3.9 Working with Mirror modes 3. Copy & H.pos Flip mode: Output #2 will be exactly the same as output #1 except the fact that the selected layer will have its H position flipped (standard Mirror mode). OUTPUT #1 OUTPUT #2 OUTPUT #1 OUTPUT #2 NOTES: • Remember to simplify the use of this feature, you need to manipulate Output #1. While in mirror mode, Output #2 will follow.
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8.3.10 Working with frames/logos 8.3.10 Working with frames/logos The frame/logo can be memorized from Output #1 or #2. To record a frame/logo, please refer to the chapter: 8.2.14 Capturing frames and 8.2.20 Capturing logos in the Mixer mode. To use a frame/logo, refer to “Working with frame/logo”. As a source, each frame/logo can be used by both outputs, you just have to select the correct matrix# button first.
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8.4 Menu tree 8.4 Menu tree MIXER MODE MATRIX MODE OUTPUT #1 OUTPUT #1 FORMAT:1920X1080 RATE: 50.00HZ LOCK: INTERNAL FORMAT:1920X1080 RATE: 50.00HZ LOCK: INTERNAL | PROG.|PRVW. ---------+---------+---------Logo2 |Logo#1|Logo#8 Logo1 |Logo#1|Logo#7 LayerC|SDI 1 |SDI 4 LayerB|DVI 1 |DVI 2 LayerA|Input1|Input8 Frame |Frame1|Frame8 70 |SCR#1 |SCR#2 ---------+----------+--------Logo |Logo#1 |Logo#8 LayerA|Input1 |SDI 4 Frame |Frame1|Frame8 OUTPUT #2 OUTPUT #2 FORMAT:1920X1080 RATE: 50.
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8.
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8.4 Menu tree FORMAT CUSTOM 1 FORMAT CUSTOM 2 FORMAT CUSTOM 3 FORMAT CUSTOM 4 FORMAT CUSTOM 5 FORMAT CUSTOM 6 FORMAT CUSTOM 7 FORMAT CUSTOM 8 FORMAT CUSTOM 9 FORMAT CUSTOM 10 OUTPUT RATE(O2) INTERNAL REF 23.97HZ(O3) 24HZ(O3) 25HZ(O3) 29.97HZ(O3) 30HZ(O3) 50HZ(O3) 59.94HZ(O3) 60HZ(O3) 72HZ(O3) 75HZ(O3) FOLLOW X0.5 INPUT 1 INPUT 2 INPUT 3 INPUT 4 HDMI 1 HDMI 2 SDI 1 SDI 2 [...
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8.4 Menu tree SDI 3 SDI 4 VIDEO OUT FOLLOW X1 FOLLOW X2 GAMMA FLICKER FILTER(O4) ANALOG TYPE RGBS RGsB (SOG) RGB HV YUV DVI TYPE AUTO RGB FULL (0-255) RGB LIMITED (16-235) YUV DVI AS HDMI HDCP DETECTION CENTERING PIC TEST PATTERN OFF V GREY SCALE H GREY SCALE V COLOR BAR H COLOR BAR GRID SMPTE BURST(O5) V-GRADIENT H-GRADIENT [...
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8.4 Menu tree VIDEO OUT CONFIG. MODE(V4) RECORDING MODE OUTPUT 1 PLUG OUTPUT 2 PLUG CONNECTION(V1)(V4) SCREEN 1 SCREEN 2 SCREEN H-TILED SCREEN V-TILED OUTPUT STATUS(V4) OUTPUT FORMAT(V4) SDTV PAL SDTV NTSC EDTV 480P EDTV 576P HDTV 720P HDTV 1035I HDTV 1080I HDTV 1080P HDTV 1080P DCDM 2K OUTPUT RATE(V4) 23.97HZ(V2) 24HZ(V2) 25HZ(V2) 29.97HZ(V2) 30HZ(V2) 47.95HZ(V2) 48HZ(V2) 50HZ(V2) 59.94HZ(V2) [...
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8.4 Menu tree ADJUST(V4) H POS V POS H SIZE V SIZE GAMMA(V4) FLICKER FILTER(V3)(V4) SHARPNESS(V4) UNDER/OVERSCAN(V4) CENTERING PIC(V4) TEST PATTERN(V4) OFF V GREY SCALE H GREY SCALE V COLOR BAR H COLOR BAR GRID SMPTE V-GRADIENT H-GRADIENT [...
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8.4 Menu tree INPUTS CONFIG STATUS AUTOSET ALL SYNC. STATUS INPUT 1: NO INPUT 2: NO INPUT 3: NO INPUT 4: NO HDMI 1: NO HDMI 2: NO SDI 1: NO SDI 2: NO SDI 3: NO SDI 4: NO INPUT 1 INPUT 2 INPUT 3 INPUT 4 HDMI 1 HDMI 2 SDI 1 SDI 2 SDI 3 SDI 4 INPUT STATUS INPUT 1 ACTIVE PLUG: (I1) FRMT: RATE: (I2) SYNC.POL.:(I2)(I3) HDCP(I2)(I4) AUTOSET FREEZE ACTIVE PLUG ANALOG [...] 76 (I1) Displayed when input is a multiplug input.
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8.4 Menu tree DVI-D SDI HDMI ANALOG SETTINGS DVI-D SETTINGS SDI SETTINGS HDMI SETTINGS TYPE(I5) SDTV COMPOSITE(I6) SDTV YC (I6) VIDEO RGBS(I6) VIDEO RGsB(I6) VIDEO YUV(I6) AUTO NTSC PAL SECAM COMPUTER SOG(I6) COMPUTER BW(I6) COMPUTER HV(I6) COMPUTER C TTL(I6) COMPUTER C ANA(I6) AUTO(I6) YUV(I6) RGB FULL (0-255)(I6) RGB LTD (16-235)(I6) AUTOSET ENABLE SYNCHRONIZED VCR MODE HDCP ENABLE(I4) H. SYNC.
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8.4 Menu tree IMAGE(G1) AUTO CENTERING(G2) BLANKING ADJUST(G3) H POS V POS H SIZE V SIZE CROPPING TOP LEFT BOTTOM RIGHT OPTIMIZE(G2) PHASE H TOTAL(G4) UNDER/OVER(G5) UNDERSCAN OVERSCAN ASPECT IN NATIVE 5/4 (1.25:1) 4/3 (1.33:1) 16/10 (1.60:1) 15/9 (1.66:1) 16/9 (1.77:1) 21/9 (2.33:1) PREDEFINED CROP NONE LETTERBX 1.78:1 LETTERBX 1.85:1 LETTERBX 2.35:1 PILLARBX 1.33:1 [...
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8.4 Menu tree ASPECT OUT 1:1 CENTERED FULL SCREEN CROPPED SHARPNESS LOW MEDIUM HIGH COLORIMETRY BRIGHTNESS CONTRAST COLOR HUE COMPONENT LEVEL(G3) RED GREEN BLUE LOW LATENCY(G6) 2:2 PULLDOWN(G7) 3:2 PULLDOWN(G8) RESET SETTINGS RESET THE PLUG TO ITS DEFAULT VALUES? ->NO YES [...
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8.4 Menu tree KEYING/TITLING(A4) TYPE NONE LUMAKEY CHROMAKEY LUMAKEY+TITLING CHROMAKEY+TITLING LUMAKEY(K2) LEVEL BLACK LEVEL WHITE CHROMAKEY(K4) COLOR GRABBER H POS V POS TOLER. L BLACK L WHITE MANUAL SETTING R KEY G KEY B KEY TOLER. L BLACK L WHITE TITLING ALPHA(K4) TRANSPARENCY INVERT KEYING(K5) [...
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8.4 Menu tree SCREEN SETTINGS SCREEN 1 SCREEN 2 BACKGROUND COLOR RED GREEN BLUE QUICK FRAME FRAME 1 FRAME 2 FRAME 3 FRAME 4 FRAME 5 FRAME 6 FRAME 7 FRAME 8 AUTO TAKE PRESET TOGGLE [...
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8.4 Menu tree LAYER(Y1) LAYER COPY MODE(Y2) NO COPY CLONE MODE COPY & H. POS FLIP LAYER ADJUST H POS V POS HV POS HV SIZE H SIZE V SIZE LAYER ZOOM(Y3) H POS V POS H SIZE V SIZE SIZE TEMPLATES FULL SCREEN 3/4 FULL SCREEN 2/3 FULL SCREEN 1/2 FULL SCREEN 1/3 FULL SCREEN 1/4 FULL SCREEN TRANSPARENCY BORDER(Y3) STYLE NONE EDGE SHADOW [...
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8.4 Menu tree ADJUST H SIZE V SIZE TRANSPARENCY COLOR OPENING EFFECT CLOSING EFFECT TYPE CUT CLEAN CUT(Y3) FADE SLIDE WIPE DIRECTION LEFT TO RIGHT(Y4) RIGHT TO LEFT(Y4) BOTTOM TO TOP(Y4) TOP TO BOTTOM(Y4) VERTICAL FROM CENTER(Y5) HORIZONTAL FROM CENTER(Y6) HV FROM CENTER(Y6) FROM BOTTOM LEFT CORNER(Y7) FROM BOTTOM RIGHT CORNER(Y7) FROM TOP LEFT CORNER(Y7) FROM TOP RIGHT CORNER(Y7) EFFECT DURATION SMOOTH MOVE STATUS [...
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8.4 Menu tree TOLER. L BLACK L WHITE MANUAL SETTING R KEY G KEY B KEY TOLER. L BLACK L WHITE CUT OUT COLOR(F6) RECORDING TIME(F7) STORE LOGO 1(F8) LOGO 2(F8) LOGO 3 [EMPTY](F1)(F8) LOGO 4 [EMPTY](F1)(F8) LOGO 5 [EMPTY](F1)(F8) LOGO 6 [EMPTY](F1)(F8) LOGO 7 [EMPTY](F1)(F8) LOGO 8 ERASE FRAME 1(F2) FRAME 3(F2) FRAME 4(F2) FRAME 7(F2) FRAME 8(F2) LOGO 1(F2) LOGO 2(F2) LOGO 8(F2) [...
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8.4 Menu tree OUTPUT 1(A2) OUPUT 2(A2) MAIN AUDIO(A3)(A4) PRELIST AUDIO(A3)(A4) OUT1 MAIN(A3)(A5) OUT2 MAIN(A3)(A5) PRESETMODE (A3) BREAKAWAY TOP LAYER FOLLOW MASTER MUTE STEREO ANALOG LEVEL MASTER VOLUME BALANCE SOURCE NONE INPUT 1 INPUT 2 INPUT 3 INPUT 4 HDMI 1 HDMI 2 SDI 1 SDI 2 SDI 3 SDI 4 LEVEL BALANCE DELAY MODE AUTO ADJUST MANUAL ADJUST [...
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8.4 Menu tree AUDIO DELAY(A7) OUT1 PRELIST (A3)(A5) OUT2 PRELIST (A3)(A5) SOURCE NONE INPUT 1 INPUT 2 INPUT 3 INPUT 4 HDMI 1 HDMI 2 SDI 1 SDI 2 SDI 3 SDI 4 LEVEL BALANCE VERSIONS CONTROL VERS: 1.0.0 VARIABLE SET : 1 -------------------CALIMERO MAIN MICRO : -------------------CAMELYA DESIGN: SOFTWARE: IHS: TSTP: -------------------FELINDRA DESIGN: SOFTWARE: IHS: TSTP: -------------------TATIANA DESIGN: SOFTWARE: IHS: TSTP: [...
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8.4 Menu tree CONNECTION (C1) Only displayed in UDP (C2) Displayed for User1, User2, User3 and User4 (C3) Displayed if the effect type is not cut or fade (C4) Displayed if at least one custom format is not valid (C5) Displayed if the custom format is valid (C6) Displayed if no custom formats are valid. RS232 / LAN RS232 LAN RS232 BAUD RATE 1200 BAUDS 2400 BAUDS 9600 BAUDS 19200 BAUDS 57600 BAUDS 115200 BAUDS LAN SETUP TCP UDP DEVICE ADDRESS... REMOTE ADDRESS...(C1) GATEWAY ADDRESS... DEVICE PORT...
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8.4 Menu tree STANDBY BAUD RATE SET MESSAGE ON SET MESSAGE OFF CLEAR MESSAGE ON CLEAR MESSAGE OFF STANDBY DATE/TIME YEAR MONTH DAY HOUR MINUTE SECOND HDCP SUMMARY IN1 DVI-D: IDLE IN2 DVI-D: IDLE IN3 DVI-D: IDLE IN3 HDMI: IDLE IN4 DVI-D: IDLE IN4 HDMI: IDLE IN5 HDMI: IDLE IN6 HDMI: IDLE OUT1 DVI-D: IDLE OUT2 DVI-D: IDLE FRONT PANEL KEY LOCKING MENUS + KEYBOARD ONLY MENUS [...
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8.4 Menu tree MATRIX TK MODE TAKE BOTH TAKE CUR.SCREEN PROG. KEYS CUT FADE USER 1 USER 2 USER 3 USER 4 TYPE(C2) DIRECTION(C2)(C3) EFFECT DURATION LCD BRIGHTNESS KEY BRIGHTNESS RESET/ERASE RESET LAYERS RESET THE LAYERS POSITION AND SIZE? ->NO YES ERASE MEMORIES ERASE ALL THE IMAGE SETTINGS? ->NO YES ERASE PRESETS ERASE ALL THE PRESET MEMORIES? ->NO YES ERASE CUST.FRMT ALL(C4) ERASE ALL THE CUSTOM FORMATS? ->NO YES COMPUT.CUSTOM1(C5) COMPUT.CUSTOM2(C5) COMPUT.CUSTOM3(C5) [...
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8.4 Menu tree COMPUT.CUSTOM4(C5) COMPUT.CUSTOM5(C5) COMPUT.CUSTOM6(C5) COMPUT.CUSTOM7(C5) COMPUT.CUSTOM8(C5) COMPUT.CUSTOM9(C5) COMPUT.CUSTOM10(C5) EMPTY(C6) DEFAULT VALUES RESET THE DEVICE TO ITS DEFAULT VALUES? ->NO YES TECH. SUPPORT THE AMERICAS TECHSUPPORT@ANALOGWAYUSA.COM TEL: +1 212 269 1902 --------------------EUROPE, MIDDLE EAST AND AFRICA TECHSUPPORT@ANALOGWAY.COM TEL: +33 (0)1 81 89 08 76 --------------------ASIA, PACIFIC TECHSUPPORT@ANALOGWAYASIA.
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9. 1 Dashboard (RCS²) 9. MAINTENANCE AND SUPPORT 9.1 Dashboard (RCS²) On the RCS², you have access to a chart with general information on the unit. Please click on the Dashboard button: On this chart, you will find under the INFO tab, the Device name, the Serial number of your product, the actual firmware and the software version of the RCS². Under CONNECTIVITY, you will find the current IP address of your unit and its MAC address.
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10.1 HDCP 10. APPLICATIONS NOTE AND TIPS 10.1 HDCP HDCP is a content protection mechanism which uses encrpytion to prevent high value content from being delivered to non-authorized devices. For example, Blu-ray players use HDCP on their HDMI outputs to ensure that the HDMI output cannot be routed to a digital recording device. The Saphyr is fully HDCP compliant, meaning that you will be able to use the Saphyr to accept HDCP protected sources and route them to any HDCP protected outputs.
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11.1 Warranty conditions 11. WARRANTY 11.1 Warranty conditions Analog Way warrants the product against any defects in materials and workmanship for a period of three (3) years from the date of purchase when used in accordance with the user’s manual and standard industry practices. • In the unlikely event of any malfunction from such defects during the warranty period, Analog Way will, at its discretion, repair or replace the defective units.
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12. Contact information 12. CONTACT INFORMATION GERMANY UNITED KINGDOM RMANY GDOM GERMANY FRANCE FRANCE ITALY UNITED KINGDOM UNITED STATES ITALY FRANCE ITALY SINGAPORE SINGAPORE UNITED STATES ORE SINGAPORE The Americas Europe, Middle East & Africa Asia Pacific Analog Way SAS - Headquarters Tel.: +33 (0)1 81 89 08 60 Fax: +33 (0)1 57 19 04 54 2/4 rue Georges Besse 92160 Antony FRANCE Analog Way Inc. Tel.
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13.1 Crestron 2 & 3 series 13. APPENDICES 13.1 Crestron 2 & 3 series Midra™ Driver Using this driver, software developers and integrators can easily provide powerful solutions for remotely controlling any Midra™ series Switchers through Crestron 2-series or 3-series Control Systems®.
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Follow us SPX450-03/31/2014 Pictures and drawings non-contractual. Specifications subject to change without prior notice.