Specifications

6
Front Panel
1. INPUT JACKS –
For maximum versatility, we have provided two
input
jacks
(labeled HI and LO). The HI jack provides a bit more drive and sensitivity. The LO
jack provides a slight attenuation and is useful when a cleaner and slightly darker
tone is desired, especially with high output pickups.
2. VOLUME CONTROL
Use this control to adjust the volume of the clean
channel. When not using the footswitch, pull this knob to select the clean channel.
When using the footswitch, keep this knob pushed in.
3. BRIGHT SWITCH –
This three position switch is used to adjust the balance of
brightness (treble) between the clean channel and the overdrive channel. Moving
the switch to the down position will remove brightness from the clean channel
without affecting the overdrive channel. The middle position provides a more
neutral brightness balance and the upper position will add additional brightness to
the clean channel.
4. DEPTH CONTROL
The DEPTH control adjusts the depth of the bass for the
clean channel. Use it in conjunction with the bass control to balance the bass
response of the clean channel vs. the lead channel. In general bass and/or depth
should be turned up for playing at lower volumes and down for higher volumes.
5. GAIN CONTROL
This is for adjusting the gain or overdrive of the lead
channel. It is used in conjunction with the MASTER VOLUME control.
6. TREBLE CONTROL -
This control varies the amount of treble and is effective
on both channels. Note that the tone controls are interactive. The treble control’s
adjustment range is widest when the MIDRANGE control is not turned up too high.
7. MID CONTROL
The MID control adjusts the midrange frequency levels for
both channels.
Keep the setting low for vintage American tones. Turn it up for a
warmer tone with increased sustain.
8. BASS CONTROL
This control varies the amount of bass on both channels.
Use in conjunction with the DEPTH control to balance between the two channels.
In general, it is suggested to increase the bass setting as volume is decreased to
compensate for the way the human ear hears bass at different volume levels.
Bass is generally turned down at high volume settings to keep the low end “tight”.