User`s manual

37
Acknowledgments
As you might imagine, sourcing and modeling all of those mics was
(and remains) an interesting logistical challenge. Luckily for us, we
have had assistance from a variety of interested dealers, manufac-
turers, studios and individuals who were all willing to let us subject
their precious microphones to our arcane modeling ritual.
Thanks to all those listed below:
Rob Actis
Actis Company, San Diego, CA
Audio Engineering Associates
Pasadena, CA
Audix Corporation
Wilsonville, OR
Demien Bannister
Bananas at Large, San Rafael, CA
jeramy bassermann
Opus Nine, El Granada, CA
Robert Berry
soundtek studios, Campbell, CA
Ken Capitanich
Mars Studios, Aptos, CA
Eric Chun
Creative Music Services,
Auburn, CA
Cutting Edge Audio
San Francisco, CA
Guitar Showcase
San Jose, CA
Stephen Jarvis
San Francisco, CA
Manley Laboratories
Chino, CA
National Sound Engineering
Norcross, GA
Glen Peiser
Guitar Center San Jose
Santa Cruz Sound Company
Santa Cruz, CA
Paul Savasta
Odyssey Pro Sound, Salem, MA
Skip’s Music
Sacramento, CA
David Staats
Castro Valley, CA
Studio Tech Supply
Dallas, TX
Chuck Surack
Sweetwater Sound,
Ft. Wayne, IN
Trakworx
San Francisco, CA
Wind Over the Earth
Boulder, CO
And, of course, our own
Michael “Mr. Microphone” Logue
and mic tester extraordinaire
Kelly Montgomery.