User Manual

5
• Formant correction (Native versions
only): Again, as described above for Auto
Mode, Auto-Tune Evo’s Formant Correction
function helps to preserve vocal character
when a voice is shifted up or down more
than a semitone or two.
• Throat modeling (Native versions only):
And yes, it’s just as described above in Auto
Mode. Perfect for subtle modification of
vocal character, or at more radical settings,
for dramatic special effects.
(Available only when Formant Correction is
engaged.)
• New graphical Paste function: The
revised Paste function displays a graphic
representation of your copied data and lets
you visually place it at the desired destination
before finalizing the Paste. (Perfect for
copying Note Object-based edits to other
parts of a track.)
• Enhanced pitch displays: Auto-Tune Evo
provides simultaneous displays of Tracked
Pitch, Correction Object Pitch, and the
resulting Output Pitch at the current cursor
location.
• Nudge controls for pitch correction
objects: To aid precise editing, the new
Nudge controls let you move selected
object(s) up or down in precise one pixel
increments. (The actual pitch increments
depend on the current zoom value of the edit
window.)
• Enhanced I-Beam Tool behavior: Double-
click with the I-Beam in the Pitch Edit or
Envelope display to instantly highlight the
entire range of tracked pitch.
• Customizable object-based default
Retune Speeds: Since you will typically use
different pitch correction objects for different
tasks (e.g., traditional pitch correction, pitch
shifting, T-Pain-style effects, etc.), you can
streamline your workflow by setting your
own custom default Retune Speeds for each
type of object (i.e., Curves, Lines, and Notes)
in the Options dialog.
• Real-time display of output pitch: In
addition to Auto-Tune’s traditional Tracked
Pitch, Line and Curve plots, Auto-Tune Evo
provides a new Output Pitch curve that
displays the exact output pitch based on the
current Retune Speed. This curve updates
in real time as you adjust the Retune Speed,
so there’s never any doubt about the precise
effect of each setting.
• Comprehensive programmable keyboard
shortcuts: Auto-Tune Evo’s new Key
Binding system (located in the Options
dialog) lets you assign virtually any Graphical
Mode function to each of the QWERTY
number keys (i.e., the number keys across
the top of your keyboard). So no matter what
your personal editing workflow, you can
ensure that your most-used functions are
always only a key press away.
• New Pitch Graph display mode: Clicking
the Show Lanes button will switch the Pitch
display to the new “Lanes” display mode.
This is particularly useful when using Note
Objects for pitch correction or pitch-shifting
individual notes.
• Global Transposition: As with Auto Mode,
Auto-Tune Evo’s Transpose control provides
extremely high-quality pitch shifting over a
four-octave range (+/- one octave in semi-
tone increments).
Although you can also accomplish overall
transposition in Graphical Mode by selecting
all the correction objects in your track and
manually moving them up or down, in most
cases, using the Transpose function will
provide superior results.
Note that this control does not affect the
Pitch Graph Display. It provides overall
transposition on top of any pitch shifting
accomplished with the graphical editing
tools.