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Table Of Contents
- Color User Manual
- Contents
- Color Documentation and Resources
- Color Correction Basics
- Color Correction Workflows
- Using the Color Interface
- Importing and Managing Projects and Media
- Creating and Opening Projects
- Saving Projects and Archives
- Moving Projects Between FinalCutPro and Color
- Reconforming Projects
- Importing EDLs
- Exporting EDLs
- Relinking QuickTime Media
- Importing Media Directly into The Timeline
- Compatible Media Formats
- Converting Cineon and DPX Image Sequences to QuickTime
- Importing Color Corrections
- Exporting JPEG Images
- Setup
- Monitoring
- Timeline Playback, Navigation, and Editing
- Video Scopes
- Primary In
- Secondaries
- Color FX
- Primary Out
- Managing Corrections and Grades
- The Difference Between Corrections and Grades
- Saving and Using Corrections and Grades
- Applying Saved Corrections and Grades to Shots
- Managing Grades in the Timeline
- Using the “Copy to” Buttons in the Primary Rooms
- Using the Copy Grade and Paste Grade Memory Banks
- Setting a Beauty Grade in the Timeline
- Disabling All Grades
- Managing Grades in the Shots Browser
- Using the Primary, Secondary, and Color FX Rooms Together to Manage Each Shot’s Corrections
- Keyframing
- Geometry
- Still Store
- Render Queue
- Calibrating Your Monitor
- Keyboard Shortcuts
- Setting Up a Control Surface
- Index
Chapter 8 Video Scopes 155
The Q Bar
The Q bar shows the proper angle at which the hue of the purple box in the color bars
test pattern should appear. This purple box, which is located at the right of the 100-
percent white reference square, is referred to as the +Quadrature signal, or Q for short.
When troubleshooting a video signal, the correspondence between the Inphase and
+Quadrature components of the color bars signal and the position of the –I and Q bars
shows you whether or not the components of the video signal are being demodulated
correctly.
Histogram
The Histogram provides a very different type of analysis than the waveform-based
scopes. Whereas waveforms have a built-in correspondence between the horizontal
position of the image being analyzed and that of the waveform graph, histograms
provide a statistical analysis of the image.
Histograms work by calculating the total number of pixels of each color or luma level in
the image and plotting a graph that shows the number of pixels there are at each
percentage. It’s really a bar graph of sorts, where each increment of the scale from left
to right represents a percentage of luma or color, while the height of each segment of
the histogram graph shows the number of pixels that correspond to that percentage.
RGB
The RGB histogram display shows separate histogram analyses for each color channel.
This lets you compare the relative distribution of each color channel across the tonal
range of the image.