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Table Of Contents
- Color User Manual
- Contents
- Color Documentation and Resources
- Color Correction Basics
- Color Correction Workflows
- Using the Color Interface
- Importing and Managing Projects and Media
- Creating and Opening Projects
- Saving Projects and Archives
- Moving Projects Between FinalCutPro and Color
- Reconforming Projects
- Importing EDLs
- Exporting EDLs
- Relinking QuickTime Media
- Importing Media Directly into The Timeline
- Compatible Media Formats
- Converting Cineon and DPX Image Sequences to QuickTime
- Importing Color Corrections
- Exporting JPEG Images
- Setup
- Monitoring
- Timeline Playback, Navigation, and Editing
- Video Scopes
- Primary In
- Secondaries
- Color FX
- Primary Out
- Managing Corrections and Grades
- The Difference Between Corrections and Grades
- Saving and Using Corrections and Grades
- Applying Saved Corrections and Grades to Shots
- Managing Grades in the Timeline
- Using the “Copy to” Buttons in the Primary Rooms
- Using the Copy Grade and Paste Grade Memory Banks
- Setting a Beauty Grade in the Timeline
- Disabling All Grades
- Managing Grades in the Shots Browser
- Using the Primary, Secondary, and Color FX Rooms Together to Manage Each Shot’s Corrections
- Keyframing
- Geometry
- Still Store
- Render Queue
- Calibrating Your Monitor
- Keyboard Shortcuts
- Setting Up a Control Surface
- Index
9
163
9 Primary In
The Primary In room provides your main interface for color
correcting each shot. For every shot, this is where you begin,
and in many cases this may be all you need.
Simply speaking, primary corrections are color corrections that affect the entire image at
once. The Primary In room provides a variety of controls that will be familiar to anyone
who’s worked with other image editing and color correction plug-ins and applications.
Each of these controls manipulates the contrast and color in the image in a different
way.
Note: Many of the controls in the Primary In room also appear in the Secondaries and
Primary Out rooms, in which they have identical functionality.
This chapter covers the following:
 What Is the Primary In Room Used For? (p. 163)
 Using the Primary Contrast Controls (p. 166)
 Adjusting Contrast in the Shadows, Midtones, and Highlights (p. 168)
 Using Color Balance Controls (p. 179)
 Understanding Shadow, Midtone, and Highlight Adjustments (p. 183)
 Curves Controls (p. 189)
 Basic Tab (p. 201)
 Advanced Tab (p. 204)
 Auto Balance (p. 206)
What Is the Primary In Room Used For?
Typically, you’ll use the Primary In room to do tasks such as the following:
 To adjust image contrast, so that the shadows are deep enough, the highlights are
bright enough, and the overall lightness of the image is appropriate to the scene.










