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Table Of Contents
- Color User Manual
- Contents
- Color Documentation and Resources
- Color Correction Basics
- Color Correction Workflows
- Using the Color Interface
- Importing and Managing Projects and Media
- Creating and Opening Projects
- Saving Projects and Archives
- Moving Projects Between FinalCutPro and Color
- Reconforming Projects
- Importing EDLs
- Exporting EDLs
- Relinking QuickTime Media
- Importing Media Directly into The Timeline
- Compatible Media Formats
- Converting Cineon and DPX Image Sequences to QuickTime
- Importing Color Corrections
- Exporting JPEG Images
- Setup
- Monitoring
- Timeline Playback, Navigation, and Editing
- Video Scopes
- Primary In
- Secondaries
- Color FX
- Primary Out
- Managing Corrections and Grades
- The Difference Between Corrections and Grades
- Saving and Using Corrections and Grades
- Applying Saved Corrections and Grades to Shots
- Managing Grades in the Timeline
- Using the “Copy to” Buttons in the Primary Rooms
- Using the Copy Grade and Paste Grade Memory Banks
- Setting a Beauty Grade in the Timeline
- Disabling All Grades
- Managing Grades in the Shots Browser
- Using the Primary, Secondary, and Color FX Rooms Together to Manage Each Shot’s Corrections
- Keyframing
- Geometry
- Still Store
- Render Queue
- Calibrating Your Monitor
- Keyboard Shortcuts
- Setting Up a Control Surface
- Index
Chapter 9 Primary In 167
Contrast Ratio
One of the most important adjustments you can make to an image is to change its
contrast ratio. The contrast ratio of an image is the difference between the darkest pixel
in the shadows (the black point) and the lightest pixel in the highlights (the white
point). The contrast ratio of an image is easy to quantify by looking at the Waveform
monitor or Histogram set to Luma. High-contrast images have a wide distribution of
values from the black point to the white point.
Low contrast images, on the other hand, have a narrower distribution of values from
the black point to the white point.
The Shadow, Midtone, and Highlight contrast sliders let you make individual
adjustments to each of the three defining characteristics of contrast.
Note: Contrast adjustments made with the primary contrast sliders can affect the
saturation of the image. Raising luma by a significant amount can reduce saturation,
while reducing luma can raise image saturation. This behavior is different from that of
the Color Corrector 3-way filter in Final Cut Pro, in which changes to contrast have no
effect on image saturation.
Using Contrast Sliders with a Control Surface
In the Primary In, Secondaries, and Primary Out rooms, the three contrast sliders usually
correspond to three contrast rings, wheels, or knobs, on compatible control surfaces.
Whereas you can only adjust one contrast slider at a time using the onscreen controls
with a mouse, you can adjust all three contrast controls simultaneously using a
hardware control surface.










