1.0
Table Of Contents
- Color User Manual
- Contents
- Color Documentation and Resources
- Color Correction Basics
- Color Correction Workflows
- Using the Color Interface
- Importing and Managing Projects and Media
- Creating and Opening Projects
- Saving Projects and Archives
- Moving Projects Between FinalCutPro and Color
- Reconforming Projects
- Importing EDLs
- Exporting EDLs
- Relinking QuickTime Media
- Importing Media Directly into The Timeline
- Compatible Media Formats
- Converting Cineon and DPX Image Sequences to QuickTime
- Importing Color Corrections
- Exporting JPEG Images
- Setup
- Monitoring
- Timeline Playback, Navigation, and Editing
- Video Scopes
- Primary In
- Secondaries
- Color FX
- Primary Out
- Managing Corrections and Grades
- The Difference Between Corrections and Grades
- Saving and Using Corrections and Grades
- Applying Saved Corrections and Grades to Shots
- Managing Grades in the Timeline
- Using the “Copy to” Buttons in the Primary Rooms
- Using the Copy Grade and Paste Grade Memory Banks
- Setting a Beauty Grade in the Timeline
- Disabling All Grades
- Managing Grades in the Shots Browser
- Using the Primary, Secondary, and Color FX Rooms Together to Manage Each Shot’s Corrections
- Keyframing
- Geometry
- Still Store
- Render Queue
- Calibrating Your Monitor
- Keyboard Shortcuts
- Setting Up a Control Surface
- Index
Chapter 9 Primary In 201
Basic Tab
The Basic tab contains the controls for saturation, as well as master lift, gamma, and gain
parameters that let you make additional adjustments to the contrast of your image.
Saturation Controls
Saturation describes the intensity of the color in an image. Image saturation is
controlled using three parameters which, similarly to the other controls in the Primary
In room, let you make individual adjustments to different tonal zones of an image. Like
the contrast and color controls, tonality specific saturation adjustments fall off gently at
the edges of each correction to ensure smooth transitions.
What Is Color Contrast?
Contrast in this document usually describes the differences between light and dark
tones in the image. There is another way to describe contrast, however, and that is
the contrast between different colors in an image. Color contrast is a complex topic,
touching upon hue, color temperature, lightness, and saturation. To greatly simplify
this diverse topic, color contrast can pragmatically refer to the difference in color that
exists in different regions of the image.
In the previous example, the image started out with an indiscriminate color cast; in
other words, there was red in the shadows, red in the midtones, and red in the
highlights, so there weren’t many clearly contrasting colors in the different areas of
the image. By removing this color cast from some parts of the image, and leaving it in
others, you enhanced the color contrast between the main subject and the
background. In images for which this is appropriate, color contrast can add visual
sophistication to an otherwise flat image.










