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Table Of Contents
- Color User Manual
- Contents
- Color Documentation and Resources
- Color Correction Basics
- Color Correction Workflows
- Using the Color Interface
- Importing and Managing Projects and Media
- Creating and Opening Projects
- Saving Projects and Archives
- Moving Projects Between FinalCutPro and Color
- Reconforming Projects
- Importing EDLs
- Exporting EDLs
- Relinking QuickTime Media
- Importing Media Directly into The Timeline
- Compatible Media Formats
- Converting Cineon and DPX Image Sequences to QuickTime
- Importing Color Corrections
- Exporting JPEG Images
- Setup
- Monitoring
- Timeline Playback, Navigation, and Editing
- Video Scopes
- Primary In
- Secondaries
- Color FX
- Primary Out
- Managing Corrections and Grades
- The Difference Between Corrections and Grades
- Saving and Using Corrections and Grades
- Applying Saved Corrections and Grades to Shots
- Managing Grades in the Timeline
- Using the “Copy to” Buttons in the Primary Rooms
- Using the Copy Grade and Paste Grade Memory Banks
- Setting a Beauty Grade in the Timeline
- Disabling All Grades
- Managing Grades in the Shots Browser
- Using the Primary, Secondary, and Color FX Rooms Together to Manage Each Shot’s Corrections
- Keyframing
- Geometry
- Still Store
- Render Queue
- Calibrating Your Monitor
- Keyboard Shortcuts
- Setting Up a Control Surface
- Index
13
263
13 Managing Corrections and Grades
Color provides many tools for managing the corrections and
grades that you’ve applied. You can work even faster by
saving, copying, and applying corrections and grades you’ve
already created to multiple shots at once.
There are three areas of the Color interface where you can save, organize, copy, apply,
and otherwise manage corrections and grades: the correction bins inside each room,
the Grades bin and the Shots browser in the Setup room, and the grade track in the
Timeline. This chapter describes the use of all these areas of the interface in more detail.
This chapter covers the following:
 The Difference Between Corrections and Grades (p. 263)
 Saving and Using Corrections and Grades (p. 264)
 Applying Saved Corrections and Grades to Shots (p. 268)
 Managing Grades in the Timeline (p. 269)
 Using the “Copy to” Buttons in the Primary Rooms (p. 272)
 Using the Copy Grade and Paste Grade Memory Banks (p. 273)
 Setting a Beauty Grade in the Timeline (p. 274)
 Disabling All Grades (p. 274)
 Managing Grades in the Shots Browser (p. 274)
 Using the Primary, Secondary, and Color FX Rooms Together to Manage Each Shot’s
Corrections (p. 281)
The Difference Between Corrections and Grades
There is a distinct difference between corrections and grades in Color. Understanding
the difference is key to learning how to manage each set of adjustments correctly.










