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Table Of Contents
- Color User Manual
- Contents
- Color Documentation and Resources
- Color Correction Basics
- Color Correction Workflows
- Using the Color Interface
- Importing and Managing Projects and Media
- Creating and Opening Projects
- Saving Projects and Archives
- Moving Projects Between FinalCutPro and Color
- Reconforming Projects
- Importing EDLs
- Exporting EDLs
- Relinking QuickTime Media
- Importing Media Directly into The Timeline
- Compatible Media Formats
- Converting Cineon and DPX Image Sequences to QuickTime
- Importing Color Corrections
- Exporting JPEG Images
- Setup
- Monitoring
- Timeline Playback, Navigation, and Editing
- Video Scopes
- Primary In
- Secondaries
- Color FX
- Primary Out
- Managing Corrections and Grades
- The Difference Between Corrections and Grades
- Saving and Using Corrections and Grades
- Applying Saved Corrections and Grades to Shots
- Managing Grades in the Timeline
- Using the “Copy to” Buttons in the Primary Rooms
- Using the Copy Grade and Paste Grade Memory Banks
- Setting a Beauty Grade in the Timeline
- Disabling All Grades
- Managing Grades in the Shots Browser
- Using the Primary, Secondary, and Color FX Rooms Together to Manage Each Shot’s Corrections
- Keyframing
- Geometry
- Still Store
- Render Queue
- Calibrating Your Monitor
- Keyboard Shortcuts
- Setting Up a Control Surface
- Index
Chapter 15 Geometry 301
B-splines use control points that aren’t actually attached to the shape’s surface to “pull”
the shape into different directions, like a strong magnet pulling thin wire. For example,
here’s a curve with a single control point:
The control point hovering above the shape is pulling the entire shape toward itself,
while the surrounding control points help to keep other parts of the shape in place.
The complexity of a shape is defined by how many control points are exerting
influence on that shape. If two control points are added to either side, and moved
down, the curve can be modified as seen below.
To make curves in a shape sharper, move their control points closer together. To make
curves more gentle, move the control points farther away from one another.
The following procedures describe how to create, remove, and adjust the control points
that edit curve controls.
To draw a shape:
1 Click on one of the eight tabs in the Secondaries room to use it to make a secondary
correction, turn on the Enable and Vignette buttons, then choose User Shape from the
Shape pop-up menu.
The Shapes tab in the Geometry room is automatically opened, and you’re ready to
draw a shape.
2 Click anywhere within the Image Preview area to add the first control point.
3 Continue clicking within the Image Preview area to add more points.










