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Table Of Contents
- Color User Manual
- Contents
- Color Documentation and Resources
- Color Correction Basics
- Color Correction Workflows
- Using the Color Interface
- Importing and Managing Projects and Media
- Creating and Opening Projects
- Saving Projects and Archives
- Moving Projects Between FinalCutPro and Color
- Reconforming Projects
- Importing EDLs
- Exporting EDLs
- Relinking QuickTime Media
- Importing Media Directly into The Timeline
- Compatible Media Formats
- Converting Cineon and DPX Image Sequences to QuickTime
- Importing Color Corrections
- Exporting JPEG Images
- Setup
- Monitoring
- Timeline Playback, Navigation, and Editing
- Video Scopes
- Primary In
- Secondaries
- Color FX
- Primary Out
- Managing Corrections and Grades
- The Difference Between Corrections and Grades
- Saving and Using Corrections and Grades
- Applying Saved Corrections and Grades to Shots
- Managing Grades in the Timeline
- Using the “Copy to” Buttons in the Primary Rooms
- Using the Copy Grade and Paste Grade Memory Banks
- Setting a Beauty Grade in the Timeline
- Disabling All Grades
- Managing Grades in the Shots Browser
- Using the Primary, Secondary, and Color FX Rooms Together to Manage Each Shot’s Corrections
- Keyframing
- Geometry
- Still Store
- Render Queue
- Calibrating Your Monitor
- Keyboard Shortcuts
- Setting Up a Control Surface
- Index
332 Appendix A Calibrating Your Monitor
Note: The step in the second bullet also applies to the monitoring of composite signals,
but you really, really shouldn't be monitoring a composite signal if you're doing color
correction.
Once your monitor is correctly calibrated, all the gray bars will be evenly gray and all
the black bars evenly black.
Y´C
B
C
R
Rendering and Color Bars
Y´C
B
C
R
rendering must be supported by the codec used in a sequence in order for
Final Cut Pro to render color bars with a PLUGE (Picture Lineup Generation
Equipment) area that includes a super-black (4 IRE in NTSC, 2 IRE in PAL) signal for
calibration. The PLUGE part of the test signal cannot be rendered using an RGB-based
codec.
When the phase (similar to hue) of
the monitor is correctly adjusted,
you should see alternating bars of
gray and black, as shown.