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Table Of Contents
- Color User Manual
- Contents
- Color Documentation and Resources
- Color Correction Basics
- Color Correction Workflows
- Using the Color Interface
- Importing and Managing Projects and Media
- Creating and Opening Projects
- Saving Projects and Archives
- Moving Projects Between FinalCutPro and Color
- Reconforming Projects
- Importing EDLs
- Exporting EDLs
- Relinking QuickTime Media
- Importing Media Directly into The Timeline
- Compatible Media Formats
- Converting Cineon and DPX Image Sequences to QuickTime
- Importing Color Corrections
- Exporting JPEG Images
- Setup
- Monitoring
- Timeline Playback, Navigation, and Editing
- Video Scopes
- Primary In
- Secondaries
- Color FX
- Primary Out
- Managing Corrections and Grades
- The Difference Between Corrections and Grades
- Saving and Using Corrections and Grades
- Applying Saved Corrections and Grades to Shots
- Managing Grades in the Timeline
- Using the “Copy to” Buttons in the Primary Rooms
- Using the Copy Grade and Paste Grade Memory Banks
- Setting a Beauty Grade in the Timeline
- Disabling All Grades
- Managing Grades in the Shots Browser
- Using the Primary, Secondary, and Color FX Rooms Together to Manage Each Shot’s Corrections
- Keyframing
- Geometry
- Still Store
- Render Queue
- Calibrating Your Monitor
- Keyboard Shortcuts
- Setting Up a Control Surface
- Index
348 Appendix C Setting Up a Control Surface
Note: The first three period-delimited sets of numbers in the IP address must match
the first three sets of numbers that are used on your particular network. If you’re not
sure what values to use, you can check to see what IP address is used by your
computer, and base the MCS-3000 IP address on that, making sure you change the
last three numbers so that this address is unique.
6 Click Yes.
After you click Yes, Color connects with the control surfaces on the network. If this is
successful then each panel’s display should now go blank.
The CP200 series control surfaces are now ready for use with Color.
Controls in the CP200 Series of Controllers
The CP200 has the following controls.
CP200-BK (Trackerball/Knob Panel)
In the Primaries room:
 Left (Dot) button above wheels: Reset contrast slider for that zone
 Right (Circle) button above wheels: Reset color control for that zone
 Left joyball: Shadow color control adjustment
 Left wheel: Shadow contrast slider adjustment (black point)
 Center joyball: Midtone color control adjustment
 Center wheel: Midtone contrast slider adjustment (gamma)
 Right joyball: HIghlight color control adjustment
 Right wheel: HIghlight contrast slider adjustment (white point)
 F1: Toggle key frame Interpolation
 F2: Add key frame
F1 F2 F3
F4 F5 F6
F7 F8 F9