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Table Of Contents
- Color User Manual
- Contents
- Color Documentation and Resources
- Color Correction Basics
- Color Correction Workflows
- Using the Color Interface
- Importing and Managing Projects and Media
- Creating and Opening Projects
- Saving Projects and Archives
- Moving Projects Between FinalCutPro and Color
- Reconforming Projects
- Importing EDLs
- Exporting EDLs
- Relinking QuickTime Media
- Importing Media Directly into The Timeline
- Compatible Media Formats
- Converting Cineon and DPX Image Sequences to QuickTime
- Importing Color Corrections
- Exporting JPEG Images
- Setup
- Monitoring
- Timeline Playback, Navigation, and Editing
- Video Scopes
- Primary In
- Secondaries
- Color FX
- Primary Out
- Managing Corrections and Grades
- The Difference Between Corrections and Grades
- Saving and Using Corrections and Grades
- Applying Saved Corrections and Grades to Shots
- Managing Grades in the Timeline
- Using the “Copy to” Buttons in the Primary Rooms
- Using the Copy Grade and Paste Grade Memory Banks
- Setting a Beauty Grade in the Timeline
- Disabling All Grades
- Managing Grades in the Shots Browser
- Using the Primary, Secondary, and Color FX Rooms Together to Manage Each Shot’s Corrections
- Keyframing
- Geometry
- Still Store
- Render Queue
- Calibrating Your Monitor
- Keyboard Shortcuts
- Setting Up a Control Surface
- Index
Chapter 2 Color Correction Workflows 53
Step 11: Use the Gather Rendered Media command to assemble the final image
sequence for delivery
Once every single shot in your program has been rendered, you’ll need to use the
Gather Rendered Media command to consolidate all of the frames that have been
rendered, eliminating handles, copying every frame used by the program to a single
directory, and renumbering each frame as a contiguously numbered image sequence.
Once this has been done, the rendered media is ready for delivery to the film recording
facility.
A Digital Intermediate Using a Telecined Offline/Online Workflow
A more traditional way to go about editing and color-correcting a project is to do an
offline edit using a less expensive telecine transfer of the dailies, and then do a
datacine film scan of only the shots used in the edit to create the online media.
Camera Negative
Export
Pull List
Datacine
Telecine
DPX Image
Sequence
Media
Data
Color
Gather
Rendered
Media
Final Output
Sequence
Film Recorder
Film Print
Cinema Tools
Create
Database
Capture
Final Cut Pro
Offline
Edit
Conform
Color
Correction
Render